Lifes
2022年2月16日 – 5月8日
ハマー美術館、ロサンゼルス
https://hammer.ucla.edu/
https://hammer.ucla.edu/exhibitions/2022/lifes
Curated by Aram Moshayedi (Robert Soros Senior Curator, Hammer Museum)
Jules Gimbrone and Micah Silver, Energy Character (Micah) (2022), and Energy Character (Jules) (2022)
Charles Gaines, Falling Rock (2000)
Nina Beier and Bob Kil, All Fours (2022)
Rosemarie Trockel, Parade (1993)
Installation view “Lifes”, Hammer Museum, Los Angels, 2022
L. Frank, The Moment (2016)
Morag Keil, The Vomit Vortex (2022)
Fahim Amir and Elke Auer, MONUMENT TO THE NEXT INTERNATIONAL (TOWER FOR TROTSKY’S RABBITS) (2022)
Cooper Jacoby, How do I survive? (a real cost of what you please) (2022)
Piero Gilardi , Aigues Tortes (2007)
Kite, Wičhóoyake kiŋ lé mičhúwe kiŋ omákiyake. (This story was told to me by my older sister.) (2022)
Rindon Johnson, How like the weather, the heresy of definition, what to even call a day, determiner, like how a mallet on stone is the same as a hand on a fleshy bit, hitting a body, a large quantity always becomes an issue, the immeasurable can never really lie fully open, a definitive expenditure of mass, volume accumulated into not any, mostly tacking into the wind, the ocean in the evening, the kelp across my body, cool rippled skin, bladders, full, orange fish guarding red things and I small and big enough to be away and in the ocean, weary, codified, restless laugher unquenchable and determiner, slut for time contained within its spatial occupation, like a fuss, I’ll be no minute and where is your stuff, you won’t be able to see all of this, even the bacteria has seasons, no rocks in the garden, or this is all I can take, gathering enough, determiner, interfere, can you see the water in the glass, say no to this reasonable request, denied and in writing, ever moving sun, determiner, I want to sleep when it is dark (2022)