Minoru Shimizu: Critical Fieldwork

Observations on Contemporary Art in Japan: Index

6: Collage, Pop Art, Clyfford Still:
Kaneuji Teppei’s Post-Something at Shugo Arts

5: For the Shomei Tomatsu:
Hues and Textures of Nagasaki exhibition
Part III: Darkness and colors

4: For the Tomatsu Shomei:
Hues and Textures of Nagasaki exhibition
Part II: ’11:02 Nagasaki’

3: For the Tomatsu Shomei:
Hues and Textures of Nagasaki exhibition
Part I. Historical background

2: From Collage/To Collage

1: Developing Posteriority
Kimura Yuki’s posteriority at the Daiwa Press Viewing Room