The COVID-19 pandemic and “Don’t Follow the Wind” – and then there were only “exhibitions that no-one can see” Whoever would have imagined that the world would descend so quickly into such a situation due to the spread of an infectious disease caused by a novel coronavirus?View More >

Katsumi Sunamori – Implications of the Scenery (3) I came to know about Katsumi Sunamori’s photo series concerning the Mount Unzen disaster site completely by chance. Although when I look back on it now, perhaps it was not necessarily a coincidence...View More >

DOUBLE WHISTLER — By Andrew Maerkle “In recent years I’ve been struck by the affinities between astronomy and cinema. On one level, both engage with concepts of light, time, and distance. Indeed, it could be argued that both astronomy and cinema are essentially composed of only these elements. On yet another level, both can be understood as sharing, in different ways, fundamental aspects of uncertainty and speculation.”View More >

IMAGE CRISIS — “I think it would be too ambitious to say that the lectures in themselves offer an escape from capitalism, because that’s obviously not what’s happening. The starting point can be just a single question that I’m trying to answer. For Asia the Unmiraculous, this is the question of the relationship between race and capitalism.”View More >

Against Again Troupe is the Annual Grand Prize winner of the 18th Taishin Arts Award, it was announced in Taipei on Jun 6. Taking home NTD 1.5 million, the troupe received the prize for White Clear Song, directed and written by Snow Huang. Also winning prizes were I-Hsuen Chen in the Visual Arts and Wang Shih-Wei in the Performing Arts categories. Chen and Wang received NTD 1 million each.View More >

A theatre performance that consciously deals with its fundamental temporal nature is a rare thing. Time forms the foundation of the viewing experience. Why is it…View More >

SEEING THE SOUNDS — "Music is not immaterial, but it is molecularized based on territory, as with bird calls. It makes boundaries and is in turn made by the boundaries, which I see as a kind of self-collapse. This point of self-collapse is what interests me: where one needs the other but cannot be differentiated from the other at the same time."View More >