ROSA BARBA

DOUBLE WHISTLER — By Andrew Maerkle “In recent years I’ve been struck by the affinities between astronomy and cinema. On one level, both engage with concepts of light, time, and distance. Indeed, it could be argued that both astronomy and cinema are essentially composed of only these elements. On yet another level, both can be understood as sharing, in different ways, fundamental aspects of uncertainty and speculation.”

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2020/7/20 Interviews

Recent Articles

Noi Sawaragi: Notes on Art and Current Events 91

Katsumi Sunamori – Implications of the Scenery (3) I came to know about Katsumi Sunamori’s photo series concerning the Mount Unzen disaster site completely by chance. Although when I look back on it now, perhaps it was not necessarily a coincidence...View More >

2020年8月23日 Columns

HO RUI AN

IMAGE CRISIS — “I think it would be too ambitious to say that the lectures in themselves offer an escape from capitalism, because that’s obviously not what’s happening. The starting point can be just a single question that I’m trying to answer. For Asia the Unmiraculous, this is the question of the relationship between race and capitalism.”View More >

2020/6/3 Interviews

Notes on Art and Current Events 90

Katsumi Sunamori – Implications of the Scenery (2) In my last column, I delved into the question, Who is Katsumi Sunamori? and discovered the answer was so complex one could have written an entire book. Here, I would like to keep things to...View More >

2020年7月5日 Columns

18th Taishin Arts Award announced

Against Again Troupe is the Annual Grand Prize winner of the 18th Taishin Arts Award, it was announced in Taipei on Jun 6. Taking home NTD 1.5 million, the troupe received the prize for White Clear Song, directed and written by Snow Huang. Also winning prizes were I-Hsuen Chen in the Visual Arts and Wang Shih-Wei in the Performing Arts categories. Chen and Wang received NTD 1 million each.View More >

2020/6/23 News

MINOUK LIM

SEEING THE SOUNDS — "Music is not immaterial, but it is molecularized based on territory, as with bird calls. It makes boundaries and is in turn made by the boundaries, which I see as a kind of self-collapse. This point of self-collapse is what interests me: where one needs the other but cannot be differentiated from the other at the same time."View More >

2019/10/1 Interviews

TANIA BRUGUERA AND MEIRO KOIZUMI

AFTER "IN DEFENSE OF FREEDOM OF EXPRESSION" — “We really, really, really hope that they will reopen. I was telling Meiro that for the first time in my career, over my many experiences of censorship, I feel there is a chance for the situation to be solved, and that maybe the Aichi Triennale could be a symbol to the world for how to deal with this kind of situation successfully.”View More >

2019/9/20 Interviews

Photo Report

Partners Booth

Hara X MA-wo-kanaderu: A Mid-Autumn On-line Concert from the Garden

[Hara X] — A series of events presented by the Hara Museum featuring various artists whose performance of music, dance or other types of expression will be streamed online from some place within the museum, each time according to theView More >

[Hara X] — A series of events presented by the Hara Museum featuring various artists whose performance of music, dance or other types of expression will be streamed online from some place within the museum, each time according to theView More >

Hara Museum／ARC

Tokihiro Sato: A View of the City in a Rear Car Camera

*Reservations are closed. Tokihiro Sato’s invention “Rear Car Camera” is a giant, mobile camera that combines a camera obscura (a device that projects outdoor scenery into a darkened room through a tiny pinhole) with a “rear car” (trailer) and aView More >

*Reservations are closed. Tokihiro Sato’s invention “Rear Car Camera” is a giant, mobile camera that combines a camera obscura (a device that projects outdoor scenery into a darkened room through a tiny pinhole) with a “rear car” (trailer) and aView More >

Hara Museum／ARC

Time Flows: Reflections by 5 Artists

2020 has been a year of much trepidation in face of uncontrollable world events. Amidst such turbulence, this exhibition asks the question: Is it possible for us to perceive, much less remember the everyday phenomena and emotions that arise onlyView More >

2020 has been a year of much trepidation in face of uncontrollable world events. Amidst such turbulence, this exhibition asks the question: Is it possible for us to perceive, much less remember the everyday phenomena and emotions that arise onlyView More >

Hara Museum／ARC

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