Bulareyaung Dance Company: LUNA

The Bunun tribe and dancers—mutual giving and bestowing of life forces—By Miwa Yanagi
Singing voices of men resonate from beyond the darkness. Voices call upon one another from different directions amid the mountains in the middle of the night, perhaps to signal the beginning of a ritual or the return of hunters…

Review: Voice of Void by Ho Tzu Nyen

Text: Jung-Yeon Ma
Ho Tzu Nyen’s solo exhibition “Voice of Void” was presented at the Yamaguchi Center for Arts and Media [YCAM] from April 3 to July 4, 2021. At the beginning of the talk with the artist and the production team held at the opening of the exhibition, the question was posed: “Why the Kyoto School now?” …

Advertisement

Recent Articles

9th Yokohama Triennale announces exhibition title and concept

On November 4, 2026, the Organizing Committee for Yokohama Triennale announced the exhibition title, concept, and key visual of the 9th Yokohama Triennale, which will open in April 2027 at the Yokohama Museum of Art. The exhibition, titled “Whalefall: News and Rumours from the Ocean Floor,” is directed by Cosmin Costinaș and Inti Guerrero.

On November 4, 2026, the Organizing Committee for Yokohama Triennale announced the exhibition title, concept, and key visual of the 9th Yokohama Triennale, which will open in April 2027 at the Yokohama Museum of Art. The exhibition, titled “Whalefall: News and Rumours from the Ocean Floor,” is directed by Cosmin Costinaș and Inti Guerrero.

Kei Takemura: All Things Move @ Contemprary Art Gallery, Art Tower Mito

July 25 – October 12, 2026

From “Renovated: Series” to a new installation work exploring natural disasters and our recovery from them, Kei Takemura tried to capture individual memories and experiences in a state of tentativeness, connecting each existence in the present to the future.

From “Renovated: Series” to a new installation work exploring natural disasters and our recovery from them, Kei Takemura tried to capture individual memories and experiences in a state of tentativeness, connecting each existence in the present to the future.

ICC Annual 2026: What Is Left, What Remains, and What We Take on @ NTT InterCommunication Center [ICC]

June 20 – November 8, 2026

The exhibition explores the relationship between history, technology, and media, examining how they have shaped history and memory, while also reflecting on the act of “preserving” and “leaving behind.”

The exhibition explores the relationship between history, technology, and media, examining how they have shaped history and memory, while also reflecting on the act of “preserving” and “leaving behind.”

Azamino Contemporary vol.17 Suburban Interference: Relations with Urban Space @ Yokohama Civic Art Gallery Azamino

October 10 – November 3, 2026

The seventeenth installment of Azamino Contemporary explores how relationships between people and places have been formed and unsettled, focusing on images of the “city” and the “land,” such as suburbs and new towns. The exhibition presents approximately one hundred works, including video, installation, painting, and photography, by seven artists and artist groups.

The seventeenth installment of Azamino Contemporary explores how relationships between people and places have been formed and unsettled, focusing on images of the “city” and the “land,” such as suburbs and new towns. The exhibition presents approximately one hundred works, including video, installation, painting, and photography, by seven artists and artist groups.

Busan Biennale 2026 (4)

August 29 – November 1, 2026

Installation view at the “Busan Biennale 2026” venue, Space One Z. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Installation view at the “Busan Biennale 2026” venue, Space One Z. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Busan Biennale 2026 (3)

August 29 – November 1, 2026

Installation view at the “Busan Biennale 2026” venue, Busan Museum of Contemporary Art B1F. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Installation view at the “Busan Biennale 2026” venue, Busan Museum of Contemporary Art B1F. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Busan Biennale 2026 (2)

August 29 – November 1, 2026

Installation view at the “Busan Biennale 2026” venue, Busan Museum of Contemporary Art 2F. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Installation view at the “Busan Biennale 2026” venue, Busan Museum of Contemporary Art 2F. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Busan Biennale 2026 (1)

August 29 – November 1, 2026

Installation view at the “Busan Biennale 2026” venue, Busan Museum of Contemporary Art 1F. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Installation view at the “Busan Biennale 2026” venue, Busan Museum of Contemporary Art 1F. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Kyoko Yasuhara: Yamametan -A tale from Hiba- @ LEESAYA

September 26 – October 18, 2026

Kyoko Yasuhara, who works across video, photography, music, 3DCG, and other methods, presents her first solo exhibition at LEESAYA. Her new video work, Yamametan -A tale from Hiba-, draws on the fact that Mount Myoken, which adjoins the Hibayama Goryo—said in the Kojiki to be the tomb of Izanami—was quarried and its stone used to build the Chugoku Expressway and other structures, depicting a place where myth, geology, development, and personal memory intersect.

Kyoko Yasuhara, who works across video, photography, music, 3DCG, and other methods, presents her first solo exhibition at LEESAYA. Her new video work, Yamametan -A tale from Hiba-, draws on the fact that Mount Myoken, which adjoins the Hibayama Goryo—said in the Kojiki to be the tomb of Izanami—was quarried and its stone used to build the Chugoku Expressway and other structures, depicting a place where myth, geology, development, and personal memory intersect.

Opening Lecture: Mel Chin (related event, “The 12th Hiroshima Art Prize: Mel Chin”)

An edited transcript of Mel Chin’s opening lecture for The 12th Hiroshima Art Prize: Mel Chin at the Hiroshima City Museum of Contemporary Art. From the early work Lecture Ax to The Invitation, a new work made for Hiroshima, Chin reflects, through anecdotes and quotations, on the ideas at the root of his practice.

An edited transcript of Mel Chin’s opening lecture for The 12th Hiroshima Art Prize: Mel Chin at the Hiroshima City Museum of Contemporary Art. From the early work Lecture Ax to The Invitation, a new work made for Hiroshima, Chin reflects, through anecdotes and quotations, on the ideas at the root of his practice.

Most Read

Picks

no image

Go Watanabe

“Portraits” April 14 to May 12, 2012 ArataniUrano, Tokyo   Installation view of Go Watanabe’s “Portraits” at ArataniUrano, Tokyo, 2012. Photo ART iT.   This exhibition of new lightbox works by Go Watanabe inaugurates ArataniUrano’s new home in the ShirokaneView More >

“Portraits” April 14 to May 12, 2012 ArataniUrano, Tokyo   Installation view of Go Watanabe’s “Portraits” at ArataniUrano, Tokyo, 2012. Photo ART iT.   This exhibition of new lightbox works by Go Watanabe inaugurates ArataniUrano’s new home in the ShirokaneView More >

Photo Report

Kei Takemura: All Things Move @ Contemprary Art Gallery, Art Tower Mito

July 25 – October 12, 2026

From “Renovated: Series” to a new installation work exploring natural disasters and our recovery from them, Kei Takemura tried to capture individual memories and experiences in a state of tentativeness, connecting each existence in the present to the future.

From “Renovated: Series” to a new installation work exploring natural disasters and our recovery from them, Kei Takemura tried to capture individual memories and experiences in a state of tentativeness, connecting each existence in the present to the future.

ICC Annual 2026: What Is Left, What Remains, and What We Take on @ NTT InterCommunication Center [ICC]

June 20 – November 8, 2026

The exhibition explores the relationship between history, technology, and media, examining how they have shaped history and memory, while also reflecting on the act of “preserving” and “leaving behind.”

The exhibition explores the relationship between history, technology, and media, examining how they have shaped history and memory, while also reflecting on the act of “preserving” and “leaving behind.”

Azamino Contemporary vol.17 Suburban Interference: Relations with Urban Space @ Yokohama Civic Art Gallery Azamino

October 10 – November 3, 2026

The seventeenth installment of Azamino Contemporary explores how relationships between people and places have been formed and unsettled, focusing on images of the “city” and the “land,” such as suburbs and new towns. The exhibition presents approximately one hundred works, including video, installation, painting, and photography, by seven artists and artist groups.

The seventeenth installment of Azamino Contemporary explores how relationships between people and places have been formed and unsettled, focusing on images of the “city” and the “land,” such as suburbs and new towns. The exhibition presents approximately one hundred works, including video, installation, painting, and photography, by seven artists and artist groups.

Busan Biennale 2026 (4)

August 29 – November 1, 2026

Installation view at the “Busan Biennale 2026” venue, Space One Z. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Installation view at the “Busan Biennale 2026” venue, Space One Z. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Busan Biennale 2026 (3)

August 29 – November 1, 2026

Installation view at the “Busan Biennale 2026” venue, Busan Museum of Contemporary Art B1F. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Installation view at the “Busan Biennale 2026” venue, Busan Museum of Contemporary Art B1F. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Busan Biennale 2026 (2)

August 29 – November 1, 2026

Installation view at the “Busan Biennale 2026” venue, Busan Museum of Contemporary Art 2F. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Installation view at the “Busan Biennale 2026” venue, Busan Museum of Contemporary Art 2F. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Busan Biennale 2026 (1)

August 29 – November 1, 2026

Installation view at the “Busan Biennale 2026” venue, Busan Museum of Contemporary Art 1F. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Installation view at the “Busan Biennale 2026” venue, Busan Museum of Contemporary Art 1F. Theme: Dissident Chorus. Curators: Evelyn Simons and Amal Khalaf.

Kyoko Yasuhara: Yamametan -A tale from Hiba- @ LEESAYA

September 26 – October 18, 2026

Kyoko Yasuhara, who works across video, photography, music, 3DCG, and other methods, presents her first solo exhibition at LEESAYA. Her new video work, Yamametan -A tale from Hiba-, draws on the fact that Mount Myoken, which adjoins the Hibayama Goryo—said in the Kojiki to be the tomb of Izanami—was quarried and its stone used to build the Chugoku Expressway and other structures, depicting a place where myth, geology, development, and personal memory intersect.

Kyoko Yasuhara, who works across video, photography, music, 3DCG, and other methods, presents her first solo exhibition at LEESAYA. Her new video work, Yamametan -A tale from Hiba-, draws on the fact that Mount Myoken, which adjoins the Hibayama Goryo—said in the Kojiki to be the tomb of Izanami—was quarried and its stone used to build the Chugoku Expressway and other structures, depicting a place where myth, geology, development, and personal memory intersect.

Rina Banerjee: “You made me leave home. . . @ Espace Louis Vuitton Tokyo

March 19 – September 13, 2026

A solo exhibition by South Asian diaspora artist Rina Banerjee, marking the 20th anniversary of Espace Louis Vuitton and the 10th anniversary of Fondation Louis Vuitton’s “Hors-les-murs” programme.

A solo exhibition by South Asian diaspora artist Rina Banerjee, marking the 20th anniversary of Espace Louis Vuitton and the 10th anniversary of Fondation Louis Vuitton’s “Hors-les-murs” programme.

HIROSHI SUGIMOTO: EXTINCTION @ The National Museum of Modern Art, Tokyo

June 16 – September 13, 2026

Featuring around 60 gelatin silver prints spanning the late 1970s to the present, the exhibition traces Hiroshi Sugimoto’s evolving practice through 13 series across three thematic sections: “Time, Light and Memory,” “Conceptual Forms,” and “Extinction.”

Featuring around 60 gelatin silver prints spanning the late 1970s to the present, the exhibition traces Hiroshi Sugimoto’s evolving practice through 13 series across three thematic sections: “Time, Light and Memory,” “Conceptual Forms,” and “Extinction.”

Partners

no image

Tangled Scenery: Hirai Koki

October 24, 2026 – January 24, 2027

  Born and raised in Kure City, Hiroshima Prefecture, Hirai Koki (b.1996) has in recent years focused on the history and present-day realities of the two neighboring cities of Hiroshima and Kure, creating works that combine rotoscoped animation, three-dimensional models,View More >

  Born and raised in Kure City, Hiroshima Prefecture, Hirai Koki (b.1996) has in recent years focused on the history and present-day realities of the two neighboring cities of Hiroshima and Kure, creating works that combine rotoscoped animation, three-dimensional models,View More >

Forget Me Not Aya FUJIOKA

  Art Center BUG, operated by Recruit Holdings Co., Ltd., is pleased to present Forget Me Not, a solo show by Aya Fujioka opening on Wednesday, October 14, 2026. Recruit has supported Fujioka since early in her artistic career, selectingView More >

  Art Center BUG, operated by Recruit Holdings Co., Ltd., is pleased to present Forget Me Not, a solo show by Aya Fujioka opening on Wednesday, October 14, 2026. Recruit has supported Fujioka since early in her artistic career, selectingView More >

Collection Exhibition 2026-Ⅱ

October 10, 2026 – January 24, 2027

  Hiroshima City Museum of Contemporary Art marks the third anniversary of its reopening this year. Under the annual theme The Time of the Museum, this year’s collection exhibitions introduce works from the collection alongside the activities of the museumView More >

  Hiroshima City Museum of Contemporary Art marks the third anniversary of its reopening this year. Under the annual theme The Time of the Museum, this year’s collection exhibitions introduce works from the collection alongside the activities of the museumView More >

Biennial of Illustrations Bratislava in Japan 2026-27

November 14, 2026 – January 24, 2027

  The Biennial of Illustrations Bratislava (BIB) is held every two years in Bratislava, the capital of the Slovak Republic. The event is one of the world’s largest competitions for original picture book illustrations. The first biennale was staged inView More >

  The Biennial of Illustrations Bratislava (BIB) is held every two years in Bratislava, the capital of the Slovak Republic. The event is one of the world’s largest competitions for original picture book illustrations. The first biennale was staged inView More >

Copyrighted Image