Aftermath @ タカ・イシイギャラリー京都

シモン・カステ キュレーション グループ展
2010年12月17日(金)– 2011年2月5日(土)

All: Installation view, “Aftermath” at Taka Ishii Gallery, Kyoto. Curated by Simon Castets. Center, on wall: From Ceal Floyer, Stop Motion (2008), black and white C-prints on diasec, 99.7 x 69.2 cm each, edition of 3.

Top: Susanne M. Winterling, Loop in Two (2010), 16 mm film, 1.5 min. Bottom, left: Final sequence of Michelangelo Antonioni, Zabriskie Point (1970). Bottom, right: Lumière Brothers, Demolition of a Wall (1896).

Sterling Ruby, Basin Theory / CNS Bowl 2 (2010), ceramic, overall: 76.2 x 76.2 x 76.2 cm, ceramic: 18.4 x 54.6 x 50.8 cm.

Installation view.

Left: 木村友紀「猫とネズミ、名前はまだ無い」(2009) Yuki Kimura, Puss Gets the Boot (2009), wood, rock, glass, lacquer, 30 x 50 x 62 cm, unique. Right: Will Rogan, Shredder (2010), gelatin silver print, 49.53 X 66.68 cm, edition of 3.

Center, on floor: Miguel Monroy, Whisper (2005), pistol grip megaphones, dimensions variable. Right: Isa Genzken, Berg (1989), concrete with steel base, overall: 164.8 x 51.1 x 55.9 cm.

Left, on wall: From Ceal Floyer, Stop Motion (2008). Right: Aurélien Froment, Pulmo Marina (2010), Video HD Cam, 5 min 10 sec. On floor: Christian Holstad, Ohka (When you raise a child as a weapon, it will become a weapon) (2010), plexiglas boxes, camouflage wrapping paper, fuses, dirt, 23 x 64 x 92 cm.

Installation view, Aurélien Froment, Pulmo Marina (2010).

Installation view.

Images courtesy of the following:

Ceal Floyer: 303 Gallery
Aurélien Froment: Motive Gallery, Amsterdam
Isa Genzken: David Zwirner Gallery and Galerie Daniel Buchholz
Christian Holstad: Victoria Miro
Yuki Kimura: Taka Ishii Gallery
Miguel Monroy: Artist Pension Trust
Will Rogan: Altman Siegel Gallery and MISAKO & ROSEN
Sterling Ruby: Taka Ishii Gallery and The Pace Gallery
Susanne M. Winterling: Hiromi Yoshii

Photos by ART iT

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