｜ART iTMuseum of Contemporary Art Tokyo, Photo Report

MOT Collection: Seven Beauties in the Bamboo Forest / Special feature NOMURA Kazuhiro / Eye to Eye @ Museum of Contemporary Art Tokyo

MOT Collection: Seven Beauties in the Bamboo Forest / Special feature NOMURA Kazuhiro / Eye to Eye
August 3 – November 10, 2024
Museum of Contemporary Art Tokyo, Tokyo
https://www.mot-art-museum.jp/en/
https://www.mot-art-museum.jp/en/exhibitions/mot-collection-240803/

 

Seven Beauties in the Bamboo Forest

 

“MOT Collection: Seven Beauties in the Bamboo Forest / Special feature NOMURA Kazuhiro / Eye to Eye,” Museum of Contemporary Art Tokyo, Tokyo, 2024“MOT Collection: Seven Beauties in the Bamboo Forest / Special feature NOMURA Kazuhiro / Eye to Eye,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Michisei Kono, Seven Beauties in the Bamboo Forest (1923)Michisei Kono, Seven Beauties in the Bamboo Forest (1923)
from Left: Toshiko Takagi, Saori Madokoro (Akutagawa), installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024from Left: Toshiko Takagi, Saori Madokoro (Akutagawa), installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
from Left: Saori Madokoro (Akutagawa), Prince Izanagi Creating Japanese Islands (1955), Woman Ⅺ (1955)from Left: Saori Madokoro (Akutagawa), Prince Izanagi Creating Japanese Islands (1955), Woman Ⅺ (1955)
Toshiko Takagi, Tapestry, Face (1963)Toshiko Takagi, Tapestry, Face (1963)
Hideko Fukushima, Kazuo Fukushima, Foam is Created (1953/1986)Hideko Fukushima, Kazuo Fukushima, Foam is Created (1953/1986)
Hideko Fukushima, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Hideko Fukushima, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Hideko Fukushima, [Title-Unknown] (1958)Hideko Fukushima, [Title-Unknown] (1958)
Installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
from Left: Hideko Fukushima, Whither Blue (V) (1982), [Title Unknown] (1982)from Left: Hideko Fukushima, Whither Blue (V) (1982), [Title Unknown] (1982)
Hideko Urushibara, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Hideko Urushibara, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Hideko Urushibara, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Hideko Urushibara, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Hideko Urushibara, THE GUARDIANS (1979-1982)Hideko Urushibara, THE GUARDIANS (1979-1982)
Hideko Urushibara, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Hideko Urushibara, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Hideko Urushibara, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Hideko Urushibara, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Donge Kobayashi, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Donge Kobayashi, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
from Top: Donge Kobayashi, Yoshitaro Isaka, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024from Top: Donge Kobayashi, Yoshitaro Isaka, installation view, “MOT
Collection: Seven Beauties in the Bamboo Forest,” Museum of
Contemporary Art Tokyo, Tokyo, 2024
Donge Kobayashi, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Donge Kobayashi, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Donge Kobayashi, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Donge Kobayashi, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Donge Kobayashi, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Donge Kobayashi, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Setsu Asakura, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Setsu Asakura, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Setsu Asakura, [Documents related to ASAKURA Setsu: Artist’s portrait] (1954)Setsu Asakura, [Documents related to ASAKURA Setsu: Artist’s portrait] (1954)
Setsu Asakura, Pack (1954)Setsu Asakura, Pack (1954)
Setsu Asakura, Dessin for “Pack” (c.1954)Setsu Asakura, Dessin for “Pack” (c.1954)
Setsu Asakura, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Setsu Asakura, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Setsu Asakura, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Setsu Asakura, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Setsu Asakura, 1963 (1963)Setsu Asakura, 1963 (1963)
Shoko Maemoto, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024Shoko Maemoto, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Shoko Maemoto, In a Pandora’s Box (2002)Shoko Maemoto, In a Pandora’s Box (2002)
Shoko Maemoto, Cocoon of sorrow (2021-2024)Shoko Maemoto, Cocoon of sorrow (2021-2024)
Shoko Maemoto, Deep Sea anemone ─ Eat Up the Heaven ! (1992)Shoko Maemoto, Deep Sea anemone ─ Eat Up the Heaven ! (1992)
Shoko Maemoto, I am the one who will protect my child (1998)Shoko Maemoto, I am the one who will protect my child (1998)

 

Special feature NOMURA Kazuhiro

 

Kazuhiro Nomura, One Woman’s shoe (from the hotel installation plan) (2020)Kazuhiro Nomura, One Woman’s shoe (from the hotel installation plan) (2020)
from Left: Kazuhiro Nomura, 1-350 (1989-), 1-351 (1989-), 1-352 (1989-)from Left: Kazuhiro Nomura, 1-350 (1989-), 1-351 (1989-), 1-352 (1989-)
Installation view, “MOT Collection: Special feature NOMURA Kazuhiro,” Museum of Contemporary Art Tokyo, Tokyo, 2024Installation view, “MOT Collection: Special feature NOMURA Kazuhiro,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Kazuhiro Nomura, Dinosaurs and Spaghetti (Esquisse for flat works) (1988-1989)Kazuhiro Nomura, Dinosaurs and Spaghetti (Esquisse for flat works) (1988-1989)
Installation view, “MOT Collection: Special feature NOMURA Kazuhiro,” Museum of Contemporary Art Tokyo, Tokyo, 2024Installation view, “MOT Collection: Special feature NOMURA Kazuhiro,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Kazuhiro Nomura, Letter to Heaven (dear sir MB, Your work is not taken seriously now. your KN) (1988-1989)Kazuhiro Nomura, Letter to Heaven (dear sir MB, Your work is not taken seriously now. your KN) (1988-1989)
Installation view, “MOT Collection: Special feature NOMURA Kazuhiro,” Museum of Contemporary Art Tokyo, Tokyo, 2024Installation view, “MOT Collection: Special feature NOMURA Kazuhiro,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Kazuhiro Nomura, Altar of Laughter (2014/2019)Kazuhiro Nomura, Altar of Laughter (2014/2019)
Kazuhiro Nomura, eva×2 (2006)Kazuhiro Nomura, eva×2 (2006)
Kazuhiro Nomura, ring chain (2023)Kazuhiro Nomura, ring chain (2023)

 

Eye to Eye

 

Installation view, “MOT Collection: Eye to Eye,” Museum of Contemporary Art Tokyo, Tokyo, 2024Installation view, “MOT Collection: Eye to Eye,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Hiroshi Nakamura, Eye from Chiaroscuro (2015-2016)Hiroshi Nakamura, Eye from Chiaroscuro (2015-2016)
from Left: Yoshitomo Nara, Sleepless Night (with paintbrush) (1997), Little Riding Red Hood (1997)from Left: Yoshitomo Nara, Sleepless Night (with paintbrush) (1997), Little Riding Red Hood (1997)
Koji Nakazono, Untitled (2012)Koji Nakazono, Untitled (2012)
Installation view, “MOT Collection: Eye to Eye,” Museum of Contemporary Art Tokyo, Tokyo, 2024Installation view, “MOT Collection: Eye to Eye,” Museum of Contemporary Art Tokyo, Tokyo, 2024
Minami Tada, Frequency 37306505 (1965)Minami Tada, Frequency 37306505 (1965)
Aiko Miyawaki, WORK (1962)Aiko Miyawaki, WORK (1962)
Aiko Miyawaki, WORK (1959)Aiko Miyawaki, WORK (1959)
from Left: Georges Rousse, Fontevraud (1984), Metz (1994), Metz (1994)from Left: Georges Rousse, Fontevraud (1984), Metz (1994), Metz (1994)
Yoshiaki Kaihatsu, ON THE TABLE (2010)Yoshiaki Kaihatsu, ON THE TABLE (2010)
Pavlína Fichta Čierna, With Maros, form the series “Three Men for Life” (2003)Pavlína Fichta Čierna, With Maros, form the series “Three Men for Life” (2003)
Shigeru Hasegawa, installation view, “MOT Collection: Eye to Eye,” Museum of Contemporary Art Tokyo, Tokyo, 2024Shigeru Hasegawa, installation view, “MOT Collection: Eye to Eye,” Museum of Contemporary Art Tokyo, Tokyo, 2024
from Left: Shigeru Hasegawa, The Sower (female) (2020-2021), The Sower (male) (2020)from Left: Shigeru Hasegawa, The Sower (female) (2020-2021), The Sower (male) (2020)
Tatsuo Miyajima, Keep Changing, Connect with Everything, Continue Forever (1998)Tatsuo Miyajima, Keep Changing, Connect with Everything, Continue Forever (1998)
from Left: Kazuhiro Nomura, bride (2004), Frances (2007)from Left: Kazuhiro Nomura, bride (2004), Frances (2007)
Minami Tada, Phase (1989)Minami Tada, Phase (1989)
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