MOT Collection: Seven Beauties in the Bamboo Forest / Special feature NOMURA Kazuhiro / Eye to Eye @ Museum of Contemporary Art Tokyo

MOT Collection: Seven Beauties in the Bamboo Forest / Special feature NOMURA Kazuhiro / Eye to Eye
August 3 – November 10, 2024
Museum of Contemporary Art Tokyo, Tokyo
https://www.mot-art-museum.jp/en/
https://www.mot-art-museum.jp/en/exhibitions/mot-collection-240803/

 

Seven Beauties in the Bamboo Forest


“MOT Collection: Seven Beauties in the Bamboo Forest / Special feature NOMURA Kazuhiro / Eye to Eye,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Michisei Kono, Seven Beauties in the Bamboo Forest (1923)


from Left: Toshiko Takagi, Saori Madokoro (Akutagawa), installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


from Left: Saori Madokoro (Akutagawa), Prince Izanagi Creating Japanese Islands (1955), Woman Ⅺ (1955)


Toshiko Takagi, Tapestry, Face (1963)


Hideko Fukushima, Kazuo Fukushima, Foam is Created (1953/1986)


Hideko Fukushima, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Hideko Fukushima, [Title-Unknown] (1958)


Installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


from Left: Hideko Fukushima, Whither Blue (V) (1982), [Title Unknown] (1982)


Hideko Urushibara, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Hideko Urushibara, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Hideko Urushibara, THE GUARDIANS (1979-1982)


Hideko Urushibara, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Hideko Urushibara, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Donge Kobayashi, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


from Top: Donge Kobayashi, Yoshitaro Isaka, installation view, “MOT
Collection: Seven Beauties in the Bamboo Forest,” Museum of
Contemporary Art Tokyo, Tokyo, 2024


Donge Kobayashi, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Donge Kobayashi, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Donge Kobayashi, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Setsu Asakura, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Setsu Asakura, [Documents related to ASAKURA Setsu: Artist’s portrait] (1954)


Setsu Asakura, Pack (1954)


Setsu Asakura, Dessin for “Pack” (c.1954)


Setsu Asakura, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Setsu Asakura, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Setsu Asakura, 1963 (1963)


Shoko Maemoto, installation view, “MOT Collection: Seven Beauties in the Bamboo Forest,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Shoko Maemoto, In a Pandora’s Box (2002)


Shoko Maemoto, Cocoon of sorrow (2021-2024)


Shoko Maemoto, Deep Sea anemone ─ Eat Up the Heaven ! (1992)


Shoko Maemoto, I am the one who will protect my child (1998)

 

Special feature NOMURA Kazuhiro


Kazuhiro Nomura, One Woman’s shoe (from the hotel installation plan) (2020)


from Left: Kazuhiro Nomura, 1-350 (1989-), 1-351 (1989-), 1-352 (1989-)


Installation view, “MOT Collection: Special feature NOMURA Kazuhiro,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Kazuhiro Nomura, Dinosaurs and Spaghetti (Esquisse for flat works) (1988-1989)


Installation view, “MOT Collection: Special feature NOMURA Kazuhiro,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Kazuhiro Nomura, Letter to Heaven (dear sir MB, Your work is not taken seriously now. your KN) (1988-1989)


Installation view, “MOT Collection: Special feature NOMURA Kazuhiro,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Kazuhiro Nomura, Altar of Laughter (2014/2019)


Kazuhiro Nomura, eva×2 (2006)


Kazuhiro Nomura, ring chain (2023)

 

Eye to Eye


Installation view, “MOT Collection: Eye to Eye,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Hiroshi Nakamura, Eye from Chiaroscuro (2015-2016)


from Left: Yoshitomo Nara, Sleepless Night (with paintbrush) (1997), Little Riding Red Hood (1997)


Koji Nakazono, Untitled (2012)


Installation view, “MOT Collection: Eye to Eye,” Museum of Contemporary Art Tokyo, Tokyo, 2024


Minami Tada, Frequency 37306505 (1965)


Aiko Miyawaki, WORK (1962)


Aiko Miyawaki, WORK (1959)


from Left: Georges Rousse, Fontevraud (1984), Metz (1994), Metz (1994)


Yoshiaki Kaihatsu, ON THE TABLE (2010)


Pavlína Fichta Čierna, With Maros, form the series “Three Men for Life” (2003)


Shigeru Hasegawa, installation view, “MOT Collection: Eye to Eye,” Museum of Contemporary Art Tokyo, Tokyo, 2024


from Left: Shigeru Hasegawa, The Sower (female) (2020-2021), The Sower (male) (2020)


Tatsuo Miyajima, Keep Changing, Connect with Everything, Continue Forever (1998)


from Left: Kazuhiro Nomura, bride (2004), Frances (2007)


Minami Tada, Phase (1989)

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