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Kishio Suga: Part I

I. Perception – Frame   Limitless Situation (Window) (1970), installation view at the National Museum of Modern Art, Kyoto. Courtesy Kishio Suga and Tomio Koyama Gallery, Tokyo.   ART iT: Let’s continue with the idea of sculpture’s role in theView More >

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Ryan Gander: Part II

II. Homo sum, humani a me nihil alienum puto   Aesthetics and ethics, looking good is just not enough (2011), ceramic, display vitrine, plaque. A redesigned ashtray for Café Aubette by Theo van Doesburg (1883-1931) from 1927, from the perspectiveView More >

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Huang Yong Ping

IN SOME WAYS IT IS AND IT IS INDESCRIBABLE By Andrew Maerkle   Caverne (2009), resin cave with sculptures of Buddha and Taliban figures, shadow projection, variable dimensions. Installation view in the exhibition “Caverne 2009” at kamel mennour, Paris. PhotoView More >

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Ryan Gander: Part I

MOBILIS IN MOBILI By Andrew Maerkle   In Spades? (2011). A 30-sided die, made with a simple icon, character, marking made by the artist to represent each of the 30 previous shows in the exhibition space. Installation view at LeView More >

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Simon Fujiwara

The Legacy of Objects By Andrew Maerkle   Installation view of Welcome to the Hotel Munber (2010) at the 3rd Singapore Biennale, 2011, mixed media, dimensions variable. All images: Unless otherwise noted, courtesy Neue Alte Brücke, Frankfurt, and TARO NASU,View More >

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Pak Sheung Chuen

Coincidence Measured by Body By Andrew Maerkle   From A Zebra for 5 Persons, 2006-12-28, 12:30-13:00, Cheung Sha Wan, Hong Kong. All images: Courtesy Pak Sheung Chuen/pakpark.blogspot.com.   Based in Hong Kong, Pak Sheung Chuen is known for works involvingView More >

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Dayanita Singh: Part I

THE ALWAYS EXCEPTIONAL CONDITION OF IMAGES By Andrew Maerkle   Cover image: From “House of Love” (2010-11). All images: © and courtesy Dayanita Singh.   Describing herself as a bookmaker who works with photography, Dayanita Singh has a profound understandingView More >

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