Interviews

OUT OF INFINITY By ART iT Once the Abominable War is Over, Happiness Fills our Hearts (2010), acrylic on canvas, 194 x 194 cm. All images: © Yayoi Kusama, courtesy Ota Fine Arts, Tokyo, and Yayoi Kusama Studio, Inc. ARTView More >

II. Seeing in Pieces Untitled (2010), acrylic, silkscreen on aluminium, 86.3 x 58.4 cm. Photo Kei Okano, courtesy Nathan Hylden and Misako & Rosen. ART iT: We were just discussing your use of stencils to contradict the presence of theView More >

PROCESS PRESENT TENSE By Andrew Maerkle Untitled (2010), acrylic, silkscreen on aluminium, 86.3 x 58.4 cm. Photo Kei Okano, courtesy Nathan Hylden and Misako & Rosen. I. Mirror Takes Time ART iT: I’d like to begin by discussing your earlyView More >

THE LORD OF CREATION AND DESTRUCTION By Andrew Maerkle Both: Oh Shiva (The Lord of Creation and Destruction) (2009), double-sided acrylic on board in artist’s frame mounted on pedestal, 147.3 x 40 x 28 cm (37 x 32 x 4View More >

VI. Installation view of the exhibition “Let me disclose the gifts reserved for age” at Rat Hole Gallery, Tokyo, 2011. Courtesy Rat Hole Gallery. ART iT: In Berlin the first time we met we discussed how you started out asView More >

V. Installation view of work by Thea Djordjadze in the exhibition “Melanchotopia,” organized by Witte de With, Center for Contemporary Art, at multiple sites in Rotterdam. Photo ART iT. ART iT: Do you read the poems of Anna Akhmatova? IsView More >

III. Delicate as bias With Philippe Parreno – Untitled (2005), five puppets each with ceramic heads, feet and hands, synthetic hair, clothes, stuffing. All images: Courtesy Rirkrit Tiravanija and Gallery Side 2, Tokyo. ART iT: Distinct from but still relatedView More >

IV. Installation view of the exhibition “Let me disclose the gifts reserved for age” at Rat Hole Gallery, Tokyo, 2011. Courtesy Rat Hole Gallery. ART iT: Earlier you mentioned this need to always have art “come with” you, to beView More >

II. Time as a measurement of the imagination Installation view, Vienna Secession, 2002. All images: Courtesy Rirkrit Tiravanija and Gallery Side 2, Tokyo. ART iT: Returning to the idea of sculpture as a reproductive medium, what happens in the caseView More >

III. Failing to Fetch Me at First (2010), steel, paint, foam, wood, approx 75 x 196 x 70.5 cm. ART iT: You often draw work and exhibition titles from literature and poetry, like the card you made for Castillo CorallesView More >