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Critical Fieldwork 17

Architecture/Collage/Painting: Jun Aoki + Hiroshi Sugito’s phantom ‘Happa and Harappa’ exhibition There is a famous essay by Colin Rowe and Robert Slutzky entitled “Transparency: Literal and Phenomenal.” Those who have come to understand from listening to others that the formerView More >

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Mickalene Thomas

Models of Agency By Andrew Maerkle   Mama Bush: One of a Kind Two (2009), acrylic, rhinestone and enamel on wood panel, approx 274 x 366 cm. All images: Unless otherwise noted, courtesy Mickalene Thomas Studio.   Interview: ART iT:View More >

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Cheyney Thompson: Part I

ALLEGORY OF THE BODY AND THE NAME By Andrew Maerkle   Installation view of “Chronochromes, Data, Motifs” at Rat Hole Gallery, Tokyo, 2011. All images: Courtesy Cheyney Thompson and Rat Hole Gallery.   I. The Strangeness of Discipline Cheyney ThompsonView More >

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Praneet Soi

Five Steps Toward an Eight-Year Manifesto By Praneet Soi I   Still from Kumartuli Printer, Notes on Labor Part 1 (2010), slide installation of 80 transparencies with rotary slide projector. Courtesy Praneet Soi.   Standing at the immigration hall atView More >

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Claude Cahun

Claude Cahun May 24 – September 25, 2011 Jeu de Paume, Paris Left: Autoportrait (1928), 13.9 x 9cm. Jersey Heritage Collection, © Jersey Heritage. Right: Autoportrait (1929), 14 x 9cm. Musée d’Art Moderne de la Ville de Paris, © MuséeView More >

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Critical Fieldwork 16

Building up to the Tokyo Art Fair: G-tokyo, Tokyo Frontline and Art Fair Tokyo   Scene from G-tokyo 2011. Photo Keizo Kioku.   In the last few years, February has become the month for graduation exhibitions and art fairs. VisitorView More >

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