“Noah’s ark of the Yutokutaishi Akiyama + Kotobuki Shiriagari tin plate” during now popular holding.
As well as the masterpiece of both writers, it becomes a new work for this time and exhibition content to be able to enjoy collaboration space in particular. I send the display scenery by a photo report this time.
Noah’s ark from Saturday, October 29, 2011 to January 9, 2012 Monday (holiday) of the Yutokutaishi Akiyama + Kotobuki Shiriagari tin plate
http://www.hcmca.cf.city.hiroshima.jp/web/buriki/index.html
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The mannequin which is mystery at the exhibition room entrance…. The first room which I am met, and is in the mannequin is space by Yutokutaishi Akiyama. I can enjoy a conventional representative “tin plate sculpture” and “tin plate picture” and the new work which I stay in Hiroshima and produced at one sweep.
佛 》 2011 of Yutokutaishi Akiyama 《 Aki
Chiku biblack group around the work 《 world heritage by Kotobuki Shiriagari and fight 》 of the キラッ trip per thing of a crotch develop the second room successively. On the world heritage written crowdedly, the mystery mannequin like the point turns round and round.
The third room the joint space “Noah’s ark of the tin plate” by both writers. The animation of “loose … しょん” and the tsunami by Kotobuki Shiriagari is projected in turn “a tin plate sculpture” by Yutokutaishi Akiyama is enshrined in the darkness that a sound such as the rumbling of the ground affects calmly, and to surround them. In this space that becomes the exhibition title, a possible requiem and form of the relief are shown in these two people after East Japan great earthquake disaster.
Noah’s ark 》 2011 of the Yutokutaishi Akiyama 《 tin plate
In the fourth room becoming the last room, the conventional activity record and work of both writers are gathered. In the space in imitation of home of Yutokutaishi Akiyama, furniture and documents pile up with chaos, and, on the other hand, the history before period reaching it at the present for childhood of Kotobuki Shiriagari is washed up like the debris after the earthquake disaster again.
I am holding the exhibition until January 9, next year. Because there is not the plan of the patrol; without passing over!