no image

Thea Djordjadze: Part VI

VI. Installation view of the exhibition “Let me disclose the gifts reserved for age” at Rat Hole Gallery, Tokyo, 2011. Courtesy Rat Hole Gallery. ART iT: In Berlin the first time we met we discussed how you started out asView More >

no image

Thea Djordjadze: Part V

V. Installation view of work by Thea Djordjadze in the exhibition “Melanchotopia,” organized by Witte de With, Center for Contemporary Art, at multiple sites in Rotterdam. Photo ART iT. ART iT: Do you read the poems of Anna Akhmatova? IsView More >

no image

Rirkrit Tiravanija: Part III

III. Delicate as bias With Philippe Parreno – Untitled (2005), five puppets each with ceramic heads, feet and hands, synthetic hair, clothes, stuffing. All images: Courtesy Rirkrit Tiravanija and Gallery Side 2, Tokyo. ART iT: Distinct from but still relatedView More >

no image

Thea Djordjadze: Part IV

IV. Installation view of the exhibition “Let me disclose the gifts reserved for age” at Rat Hole Gallery, Tokyo, 2011. Courtesy Rat Hole Gallery. ART iT: Earlier you mentioned this need to always have art “come with” you, to beView More >

no image

Rirkrit Tiravanija: Part II

II. Time as a measurement of the imagination Installation view, Vienna Secession, 2002. All images: Courtesy Rirkrit Tiravanija and Gallery Side 2, Tokyo. ART iT: Returning to the idea of sculpture as a reproductive medium, what happens in the caseView More >

no image

Thea Djordjadze: Part III

III. Failing to Fetch Me at First (2010), steel, paint, foam, wood, approx 75 x 196 x 70.5 cm. ART iT: You often draw work and exhibition titles from literature and poetry, like the card you made for Castillo CorallesView More >

no image

Rirkrit Tiravanija: Part I

ON EXACTITUDE IN SCIENCE By Andrew Maerkle Installation view of Untitled 2001/2012 at Gallery Side 2, Tokyo. All images: Courtesy Rirkrit Tiravanija and Gallery Side 2, Tokyo. In February 2012 Rirkrit Tiravanija came to Tokyo for a solo exhibition atView More >

no image

Thea Djordjadze: Part II

II. The Easy Isn’t Done Easy (2007), lacquered steel, 100 x 70 x 50.5 cm. ART iT: It’s difficult to put the experience of your works into words. Certainly there is a technical vocabulary to do so, but it wouldView More >

no image

Jérôme Bel: Interview

SANCTUARY OF CONFRONTATION By Natsuko Odate Theater Hora – Disabled Theater. Photo Michael Bause. All images: Courtesy Jérôme Bel. In November 2011 Jérôme Bel came to Japan for a performance of The Show Must Go On, mounted at Saiatami SainokuniView More >

Copyrighted Image