To make this list I’m bypassing most art exhibitions, because I didn’t experience 2010 as particularly memorable in terms of purely visual art experiences. However, the year was quite aesthetically memorable for collaborations between visual artists and those working inView More >
Dan Cameron on his personal Image Archive and its role in his curatorial practice Courtesy Dan Cameron. Most curators are, at their core, collectors of a sort, and recently I have decided to come to terms with the fact thatView More >
Dan Cameron reviews Massimiliano Gioni’s recently opened Gwangju Biennale Sanggil Kim – off‐line_burberry internet community (2004), C-print, 134.5 x 163.5 cm. © Sanggil Kim, courtesy PKM Gallery | Bartleby Bickle & Meursault. Since its debut in 1995, the Gwangju Biennale has typicallyView More >
Dan Cameron on the non-distribution of Matthew Barney’s Cremaster cycle Photo illustration by ART iT. A few weeks ago, an art cinema in downtown Manhattan held a public screening of the complete Matthew Barney Cremaster cycle. While I was weighingView More >
Dan Cameron reflects on his recent visit to Seattle’s uniquely architectural art scene Exterior view of Western Bridge. Courtesy Western Bridge, Seattle. I was not in Seattle for the purpose of looking at art, and probably no one would haveView More >
Dan Cameron Compares Two Currents in the History of Performance Art Two concurrent exhibitions in the New York area – Marina Abramović’s “The Artist is Present” at the Museum of Modern Art and Carolee Schneemann’s “Within and Beyond the Premises”View More >