Three writers (he Teppei Kim, 髙柳恵里, 冨井大裕) who feature it in MOT collection Part 2 of this term, and display it
I hold the talking event that I focused on each.
The entrance fee is free, and a meeting place is Tokyo Museum of Contemporary Art the second-floor lecture hall under the ground.
※ I am going to move to the exhibition room with a writer after talking.
If you like, an admission ticket of the permanent construction display of the day is necessary.
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■Afternoon of Sunday, January 12, 2014 from 3:00 to 4:00 planned talk | He Teppei X Yuri Suyama (graphic designer) Kim
■January 13, 2014 Monday (holiday) from 3:00 p.m. to 4:00 planned talk | 髙柳恵里 X storehouse shop Mika (Tokyo National Museum of Modern Arts art section manager)
■Afternoon of Sunday, January 19, 2014 from 2:00 to 5:00 planned talking event | Event / record / reproduction / 体験出席者冨井大裕 X Itaru Kawamura husband (graphic designer) X forest size Shiro (graphic designer) X Umezu former (science of arts) = = =
Exhibition information /////////////////////////////////// MOT collection
It is – Sunday, January 19, 2014 from some – sculptures to catch it to use it to make 1923-2013 Part 2 in 90 of Part 1 us on Thursday, October 3, 2013
“MOT collection” is permanent construction display of Tokyo Museum of Contemporary Art. I establish the theme from a multidirectional viewpoint and introduce in this to deepen understanding about the contemporary art to a nucleus with a store product to amount to approximately 4,500 points. “Our 90 1923-2013 a year” are two themes from “some – sculptures to catch it to use it to make it” and, in this term, display it.
The first floor (Part 1) introduces the trial from the angle that is different from the history and the event of the capital letter based on a representative holding of this museum titled “our 90 1923-2013 a year” how writers crossed swords through a work from the Great Kanto Earthquake facing the world during 90 to the present.
Part 2 (the third floor) titled “from some – sculptures to catch it to use it to make it” introduces a sculpture of this museum possession from a viewpoint “to catch” “I use it”. In the first place it is a name characterized by のような verb to reduce to carve with to carve, but it may be said that the work of the group born after the 1960s is arrested more appropriately by an act “to catch” different verb, e.g., “I use it” with the sculpture. I pay my attention to 髙柳恵里, 冨井大裕, work of he Teppei that attracted attention by production to ask a thing and the relation of the act by the book exhibition in that from the late 1990s in particular. I introduce a solid of three persons three and a photograph work with a new store product and special exhibition and, as a thing sailing up the manner, display Hitoshi Nomura and Koji Enokura, the holding in the 60-70 generation such as the sculpture of a photograph work, Carl Andre and the Gilberto ゾリオ and others of Dennis Oppenheim and others in total and think about the expanse of the question that these plural sculptures open up.
http://www.mot-art-museum.jp/collection/index.html
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