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Critical Fieldwork 18

How to abandon Japan: ‘Yasuo Kuniyoshi from the Fukutake Collection’ at the Okayama Prefectural Museum of Art This exhibition of works by Yasuo Kuniyoshi at the Okayama Prefectural Museum of Art is extensive, ranging from anti-Japanese campaign posters created duringView More >

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No. 10: Cosplay

The hidden depths of cosplay Today, the term “cosplay” has attained global currency. Referring to the practice of engaging with a comic or cartoon by turning oneself into one’s favorite character, this phenomenon barely existed when Disney and Marvel dominatedView More >

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Critical Fieldwork 17

Architecture/Collage/Painting: Jun Aoki + Hiroshi Sugito’s phantom ‘Happa and Harappa’ exhibition There is a famous essay by Colin Rowe and Robert Slutzky entitled “Transparency: Literal and Phenomenal.” Those who have come to understand from listening to others that the formerView More >

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Praneet Soi

Five Steps Toward an Eight-Year Manifesto By Praneet Soi I Still from Kumartuli Printer, Notes on Labor Part 1 (2010), slide installation of 80 transparencies with rotary slide projector. Courtesy Praneet Soi. Standing at the immigration hall at JFK, fatigueView More >

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Critical Fieldwork 16

Building up to the Tokyo Art Fair: G-tokyo, Tokyo Frontline and Art Fair Tokyo Scene from G-tokyo 2011. Photo Keizo Kioku. In the last few years, February has become the month for graduation exhibitions and art fairs. Visitor numbers haveView More >

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An African in Guangzhou

A unique urban ecology prompts a new look at globalization. By Naohiko Hino Photo Naohiko Hino. Extending from the interior of the mainland to the southern regions west of Hong Kong, the Pearl River Delta is home to Guangzhou, China’sView More >

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No. 20

URGENT IS TO TAKE A DISTANCE A letter from Hou Hanru to Hans Ulrich Obrist Notes on the dramatic events of the past three months Dear HUO, Thank you for your last correspondence. I’m so sorry for the long silenceView More >

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