In a continuation of the column 2010 Cinema, this is the third in a series of fictional portraits by Hu Fang, each taking the form of loose screen plays. 3.1 As gusts of wind tore at the car’s black waterproofing,View More >

In a continuation of the column 2010 Cinema, this is the third in a series of fictional portraits by Hu Fang, each taking the form of loose screen plays. 3.1 As gusts of wind tore at the car’s black waterproofing,View More >
How to abandon Japan: ‘Yasuo Kuniyoshi from the Fukutake Collection’ at the Okayama Prefectural Museum of Art This exhibition of works by Yasuo Kuniyoshi at the Okayama Prefectural Museum of Art is extensive, ranging from anti-Japanese campaign posters created duringView More >
A Restatement: The Art of ‘Ground Zero’ (Part 1) The Runit Dome, Fukushima, and the Lucky Dragon In the summer of 2004, around the same time as now when the singing of the cicadas was intense, a certain exhibition openedView More >
The hidden depths of cosplay Today, the term “cosplay” has attained global currency. Referring to the practice of engaging with a comic or cartoon by turning oneself into one’s favorite character, this phenomenon barely existed when Disney and Marvel dominatedView More >
Kuninosuke Matsuo and the Yomiuri Indépendent Exhibitions (Part III) In his previous two columns, Part I and Part II, Noi Sawaragi has been exploring the links between the intellectual and newspaper correspondent, Kuninosuke Matsuo, and the Yomiuri Indépendent series ofView More >
Architecture/Collage/Painting: Jun Aoki + Hiroshi Sugito’s phantom ‘Happa and Harappa’ exhibition There is a famous essay by Colin Rowe and Robert Slutzky entitled “Transparency: Literal and Phenomenal.” Those who have come to understand from listening to others that the formerView More >
Five Steps Toward an Eight-Year Manifesto By Praneet Soi I Still from Kumartuli Printer, Notes on Labor Part 1 (2010), slide installation of 80 transparencies with rotary slide projector. Courtesy Praneet Soi. Standing at the immigration hall at JFK, fatigueView More >
Kuninosuke Matsuo and the Yomiuri Indépendent Exhibitions (Part II) In his previous column, Noi Sawaragi began exploring the links between the intellectual and newspaper correspondent, Kuninosuke Matsuo, and the Yomiuri Indépendent series of exhibitions that provided a key platform forView More >
I wonder if the gentle readers of ART iT are aware of the existence of a very different sort of magazine, devoted to the photographic efforts of those with what one might call “exhibitionist” proclivities? The sort of magazine, thatView More >
Building up to the Tokyo Art Fair: G-tokyo, Tokyo Frontline and Art Fair Tokyo Scene from G-tokyo 2011. Photo Keizo Kioku. In the last few years, February has become the month for graduation exhibitions and art fairs. Visitor numbers haveView More >
A unique urban ecology prompts a new look at globalization. By Naohiko Hino Photo Naohiko Hino. Extending from the interior of the mainland to the southern regions west of Hong Kong, the Pearl River Delta is home to Guangzhou, China’sView More >
URGENT IS TO TAKE A DISTANCE A letter from Hou Hanru to Hans Ulrich Obrist Notes on the dramatic events of the past three months Dear HUO, Thank you for your last correspondence. I’m so sorry for the long silenceView More >