II. Prologue: Squat/Anti-Squat (2016), film installation with dialogue on back-to-back screens, 17 min each side, installation view in the Dutch Pavilion at the 57th Venice Biennale, 2017. Photo Daria Scagliola. All images: © Wendelien van Oldenborgh, courtesy the artist andView More >
STARING WITH EQUALITY Cinema Olanda Film (2017), digital projection, 17 min, installation view in the Dutch Pavilion at the 57th Venice Biennale, 2017. Photo Giacomo Frison. All images: © Wendelien van Oldenborgh, courtesy the artist and Wilfried Lentz Rotterdam. BasedView More >
STARING WITH EQUALITY Cinema Olanda Film (2017), digital projection, 17 min, installation view in the Dutch Pavilion at the 57th Venice Biennale, 2017. Photo Giacomo Frison. All images: © Wendelien van Oldenborgh, courtesy the artist and Wilfried Lentz Rotterdam. BasedView More >
EPILOGUE Still from The Capital of Accumulation (2010), two synchronized video projections with sound, 50 min; two books in vitrines. All images: Courtesy Raqs Media Collective. ART iT: There is a strong Marxist element to your thinking. You were partView More >
III. Things that Happen When Falling in Love (2010), 18 colored and clear acrylic figures with printed mirrored letters, wire cables and fixings. Installation view at BALTIC Centre for Contemporary Art, Gateshead, 2010, with The Knots that Bind are theView More >
II. Escapement (2009), installation with 24 Clocks, three reverse clocks, four video screens, sound track. All images: Courtesy Raqs Media Collective. ART iT: We were just talking about planetary consciousness and how people and ideas circulate around the world. ArtView More >
WITHIN ME LATITUDE WIDENS By Andrew Maerkle Still from The Capital of Accumulation (2010), two synchronized video projections with sound, 50 min; two books in vitrines. All images: Courtesy Raqs Media Collective. Founded in New Delhi in 1992 by theView More >
WITHIN ME LATITUDE WIDENS By Andrew Maerkle Still from The Capital of Accumulation (2010), two synchronized video projections with sound, 50 min; two books in vitrines. All images: Courtesy Raqs Media Collective. Founded in New Delhi in 1992 by theView More >
PULLING STRINGS By Andrew Maerkle Installation view of “Wael Shawky: Cabaret Crusades” at MoMA PS1, 2015. Photo Pablo Enriquez, © Wael Shawky, courtesy the Museum of Modern Art, New York. Born in 1971 and currently based in Alexandria, Egypt, WaelView More >
“Pulling Strings”
ART iT met with him at the opening to learn more about how the “Cabaret Crusades” trilogy was produced.
II. Gallows Composite B (John Brown Gallows, Billy Bailey Gallows, Lincoln Conspirators Gallows) (2008), wood, mirror, installed dimensions variable, installation view at Praz-Delavallade, Paris, 2008. Courtesy Sam Durant and Praz-Delavallade, Paris. All images: Unless otherwise noted, © Sam Durant, courtesyView More >
THE MANIFEST DESTINY OF BORROWED SCENERY By Andrew Maerkle Installation view of “Sam Durant: Borrowed Scenery” at Blum & Poe, Tokyo, 2015, with 1905, Japan Defeats Russia, Empire (2015) in foreground, graphite and colored pencil on paper, two components, 46View More >