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Aernout Mik: Part I

POSSESSION/FORM By Andrew Maerkle   Still from Glutinosity (2001), single-channel video installation. All images: courtesy Aernout Mik and carlier❘gebauer, Berlin.   Aernout Mik’s meticulously staged, multi-channel videos explore the tensions between individual actions and collective order, hysteria and reason, andView More >

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Cheyney Thompson: Part II

II. The Index of Robert Macaire Cheyney Thompson on the technology of perspective, and names that un-name.   Installation view of the solo exhibition “Chronochromes, Data, Motifs” at Rat Hole Gallery, Tokyo, 2011. All images: Courtesy Cheyney Thompson and RatView More >

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Mickalene Thomas

Models of Agency By Andrew Maerkle   Mama Bush: One of a Kind Two (2009), acrylic, rhinestone and enamel on wood panel, approx 274 x 366 cm. All images: Unless otherwise noted, courtesy Mickalene Thomas Studio.   Interview: ART iT:View More >

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Cheyney Thompson: Part I

ALLEGORY OF THE BODY AND THE NAME By Andrew Maerkle   Installation view of “Chronochromes, Data, Motifs” at Rat Hole Gallery, Tokyo, 2011. All images: Courtesy Cheyney Thompson and Rat Hole Gallery.   I. The Strangeness of Discipline Cheyney ThompsonView More >

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Kimsooja: Part II

II. Mirror-Void-Other Kimsooja on the performance of non-action.   Cities on the Move – 2727 KM Bottari Truck (1997), single-channel video, 7 min 33 sec loop, silent. Commissioned by Korean Arts & Culture Foundation. All images: Courtesy Kimsooja Studio.  View More >

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Hong-Kai Wang

By Leslie J Ureña   Music While We Work (2011), audio and video installation recorded on location in Huwei, Yunlin, Taiwan. Photo You-Wei Chen, courtesy Hong-Kai Wang.   Born in 1971, the Taiwanese artist Hong-Kai Wang works with sound asView More >

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Kimsooja: Part I

POINTS OF CONVERGENCE By Andrew Maerkle   Still from Thread Routes – Chapter 1 (2010), 16mm film transferred to HD format, 29 min 31 sec, sound. All images: Courtesy of Kimsooja Studio.   In 1999, in Tokyo’s bustling Shibuya neighborhood,View More >

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Martha Rosler

THE GARDEN SPEAKS FOR ITSELF By Andrew Maerkle and Natsuko Odate   Proposed Helsinki Garden at the Singapore Biennale (2011), site-specific community project
 commissioned by the Singapore Biennale 2011
. 
Photo Mae Ee Wong. All images: Courtesy Martha Rosler.   InView More >

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54th Venice Biennale: Index

Pipilotti Rist – Non voglio tornare indietro (Ospedale) (2011), video projection on veduta oil painting “Anonymous Venetian Master (Apollonio Domenichini?): Veduta with Canal Grande with Santa Maria di Nazareth, Santa Lucia and Scuola dei Nobili,” Museum Langmatt, Stiftung Langmatt SidneyView More >

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