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Quiet Attentions

‘Quiet Attentions: Departure from Women’ February 12 – May 8, 2011 Art Tower Mito+Contemporary Art Gallery View of Art Tower Mito plaza as seen from the position of the loudspeaker installed for Susan Philipsz’s site-specific sound installation Did I DreamView More >

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Reviews & Picks Timeline: February 2011

2.25: “Daydream Believer!!” 3rd Yebisu International Festival for Art & Alternative Visions Established in 2009, the Yebisu International Festival for Art & Alternative Visions investigates the intersections between contemporary art and media practices. Also known as Yebizo, and hosted byView More >

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Daydream Believer!!

The 3rd Yebisu International Festival for Art & Alternative Visions ‘Daydream Believer!!’ February 18-27, 2011 Tokyo Metropolitan Museum of Photography Javier Tellez – Still from Caligari and the Sleepwalker (2008), Super-16mm film transferred to HDV Blue-ray, sound, b&w, 27 minView More >

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I DON’T HAVE ALL THE ANSWERS

Issue 8: TEXT Perhaps the most efficient means of communication yet invented by humans, text is also inherently saddled with confusion and contradiction. When commentators wring their hands about contemporary knowlege spinning out of control with the circulation of virallyView More >

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Tadasu Takamine

‘Too Far to See’ January 21 to March 20, 2011 Yokohama Museum of Art God Bless America (2002), video, 8 min 18 sec. In 2004, Tadasu Takamine’s video Kimura-san was preemptively removed from the group exhibition “Non-Sect Radical Contemporary PhotographyView More >

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BRENNSCHLUSS

Issue 7: RETROSPECT 2010 Who knows how the year 2010 will be remembered in art history. A number of events may stand out as having been immediately significant – with its controversial use of reperformance, Marina Abramovic’s retrospective at theView More >

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Forecast 2011: Jens Hoffmann

Jens Hoffmann is the Director of the CCA Wattis Institute for Contemporary Arts in San Francisco. In 2011 he will be the curator, with Adriano Pedrosa, of the 12th Istanbul Biennial as well as a curator for the 3rd Biennial ofView More >

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