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Partners Booth
EXHIBITION : “gesture, form, technique IV “
“gesture, form, technique IV” Saturday, 20 May － Saturday, 24 June, 2017 Gallery Hours: 10:00-18:00 Tue. – Sat. Closed on Sun., Mon., and Public Holidays Jean Prouve Standard chair, ca.1950 Courtesy of SIGN, TARO NASU TARO NASU is pleased toView More >
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Toshio Hara, Director of the Hara Museum, Awarded the Legion of Honor Medal
On May 8, 2017, Toshio Hara, the director of the Hara Museum of Contemporary Art, was presented with the insignia of Officer of the National Order of the Legion of Honor by His Excellency Mr. Thierry Dana, the Ambassador ofView More >
Aki Sasamoto – Common Exchange: Cambridge Common
Aki Sasamoto, Food Rental, 2015. A High Line Performance. On view July 21 – 23, 2015, on the High Line at the Rail Yards, New York. Photo by Liz Ligon. Courtesy of Friends of the High Line. Take Ninagawa isView More >
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Opening time / reference
National Art Center, Tokyo ●Opening time A plan exhibition: From 10:00 to 18:00 (as for the entrance until 17:30) ※Every Friday during a session until 20:00 (as for the entrance until 19:30) An open call for participants exhibition: From 10:00View More >
Cento Chiodi
© 2006 cinema11undici-Rai Cinema Le sense de l’objet – Derrière la toile Cento Chiodi (One Hundred Nails) 2006 / Italy / 94min / Color / DVD Director / Writer: Ermanno Olmi Cinematography: Fabio Olmi Editor: Paolo Cottignola Sound: Francesco LiotardView More >
NEWS : baby tooth (KAMIMURA Megumi, TSUDA Michiko) “A Reverse View”
Performance by Agatha Gothe-Snape, Tsuda Michiko, and Kamimura Megumi (Choreographer, Dancer) will be held in the “MAM Project 023” exhibition space. Performers: Agatha Gothe-Snape, baby tooth (Tsuda Michiko, Kamimura Megumi) Date & Time: 18:37- , Saturday, May 13, 2017 *View More >
“Mika Ninagawa: The days were beautiful” May 10 (Wednesday) – 19 (Friday), 2017
©mika ninagawa, Courtesy of Tomio Koyama Gallery When I woke up in the morning, the sky was incredibly blue and beautiful. I thought it would be a nice day to depart if we all had to. (Mika Ninagawa, excerpt fromView More >