Gewalt: Devenir des résistances à la violence institutionnelle
May 18 – June 16, 2024
Institut français de Tokyo, CAVE-AYUMI GALLERY, Session House 2F gallery, Tokyo
Organized by Gewalt Dantai
Curated by Alexandre Taalba
https://gewaltdantai.com/fr/
Institut français de Tokyo
Masaharu Futoyu, Le Pavillion des panneaux (2024)
Jean-Baptiste Farkas, Obéir (2009)
nadir B., Flatness – prélude (2024)
Cabaret Courant faible, Nos conditions d’existence. Manifeste des courants faibles (2009)
Installation view, “Gewalt: Devenir des résistances à la violence institutionnelle,” Institut français de Tokyo, Tokyo, 2024
Yoshiko Shimada, Pink Molotov Cocktail (2023)
Saori Miyake, Seascape (Suzu) 2 (2024)
Saori Miyake, The missing shade 60-1 (2024)
Kaori Endo, Cocktail Molotov/ Okinawa/ 1945 (2024)
Kaori Endo, Cocktail Molotov/ Okinawa/ 1945 (2024)
Kaori Endo, Cocktail Molotov/ Okinawa/ 1945 (2024)
Raita Ishikawa, GEWALT (2002), GEWALT (version GAZA, version Ukraine) (2024)
Raita Ishikawa, GEWALT (2002), GEWALT (version GAZA, version Ukraine) (2024)
Wakamatsu Production (Masao Adachi, Koji Wakamatsu), The Red Army – P.F.L.P. Declaration of World War (1971)
Motoharu Jonouchi, Gewaltpia, bande-annonce (1969), Courtesy of Gewalt Dantai
Migline Paroumanou, Décristalliser la mémoire (2024)
Bady Dalloul, King of the System (2019)
FanXoa, Ramona, Comandanta au Chiapas (2019)
FanXoa, Zozan, la combattante de Kobané (2019), Petra contre I’Etat (2019)
CAVE-AYUMI GALLERY
Installation view, “Gewalt: Devenir des résistances à la violence institutionnelle,” CAVE-AYUMI GALLERY, Tokyo, 2024
Kyun-Chome, Throw stones! (2013)
Yuni Hong Charpe, Repeat (2020)
Installation view, “Gewalt: Devenir des résistances à la violence institutionnelle,” CAVE-AYUMI GALLERY, Tokyo, 2024
Kyun-Chome, The tiger eaten by pigeon (2018-2020)
Kyun-Chome, The tiger eaten by pigeon (2018-2020)
Events
Migline Paroumanou, Anfleuri ankor, performance (2024), accompanied on guitar by Fu Takada, photo by Masaharu Futoyu, Courtesy of Gewalt Dantai
Migline Paroumanou, Anfleuri ankor, performance (2024), accompanied on guitar by Fu Takada, photo by Masaharu Futoyu, Courtesy of Gewalt Dantai
Kazuo Kambayashi, Danser maintenant « Le peuple uni ne sera jamais vaincu », Gewalt dance/ performance (2024), photo by Masaharu Futoyu, Courtesy of Gewalt Dantai
Jean-Baptiste Farkas, Obéir – Phase de destruction (2024), photo by Masaharu Futoyu, Courtesy of Gewalt Dantai
Erehwon, Now here ≠ Erehwon, noise performance (2024), Raita Ishikawa (metal percussion, electronics, video) and others, photo by Masaharu Futoyu, Courtesy of Gewalt Dantai
nadir B. + Isso Miura, Flatness, audiovisual performance (2024), photo by Masaharu Futoyu, Courtesy of Gewalt Dantai
Session House 2F gallery “Onirisme Collectif＃10 -Gewalt-”
Ad Mornings (Yuka Yamato, Ayumi Tsuchimoto, Yuni Hong Charpe), Nuclear, Settler Colonization, Genocide, For the Dawn (2024), Courtesy of Gewalt Dantai
Ad Mornings (Yuka Yamato, Ayumi Tsuchimoto, Yuni Hong Charpe), Nuclear, Settler Colonization, Genocide, For the Dawn (2024), Courtesy of Gewalt Dantai
Hagoromo Okamoto x fantome experience, A violence for a silence, a violence for a silence (2024), Courtesy of Gewalt Dantai
Hagoromo Okamoto x fantome experience, A violence for a silence, a violence for a silence (2024), Courtesy of Gewalt Dantai
Hagoromo Okamoto x fantome experience, A violence for a silence, a violence for a silence (2024), Courtesy of Gewalt Dantai
JunYamaguchi, Silent vacance (2024), Courtesy of Gewalt Dantai
Kaori Endo × Shizka Ueda, Play, Dream (Replay) (2024), Courtesy of Gewalt Dantai
Mew Imashuku, I do not wake you up (2024), Courtesy of Gewalt Dantai