Yukiko Suto: Late Autumn Weeds Exhibition
12 JAN – 9 FEB 2019
Take Ninagawa, Tokyo

Yukiko Suto: Late Autumn Weeds Exhibition
12 JAN – 9 FEB 2019
Take Ninagawa, Tokyo
CRITERIUM 95: Yuta Hayakawa
27 OCT 2018 – 20 JAN 2019
Contemporary Art Gallery, Art Tower Mito
Fujiko Nakaya: Resistance of Fog
27 OCT 2018 – 20 JAN 2019
Contemporary Art Gallery, Art Tower Mito
“The main challenge for me now is thinking about how to make architecture that is durable – not only materially durable, but also socially durable: architecture that can endure the pressures of commercialism and capitalism and the constant changes of life today.”
Chim↑Pom: Grand Open – Marvelous Liberation –
22 NOV 2018 – 26 JAN 2019
ANOMALY
ARCHITECTURE IN NAME AND DEED by Andrew Maerkle
— “Since the 20th century we have produced a huge quantity of spaces, but we have lost our sense of place. Place is a singular point. You cannot reproduce or replicate it. You cannot replace one place with another place.”
“Hou Hsiao-hsien comes from the generation who were dealing with the experiences that their parents lived through, which they heard about as they were growing up. That meant they were very close to the history. But what I’m dealing with is more remote . . . I can jump from doing a 13th-century Noh play to something that happened 40 million years ago to something from the colonial period.”
NOT ONLY BLACK-AND-WHITE by Andrew Maerkle
—“The fact is there is no true history. History is always written from a specific position or perspective. This is one of the key issues I address in my works. My works question history and the way that these ideologies are constructed.”
Patching Words (zi, kotoba, kata, eweawea)
24 NOV – 24 DEC 2018
Tokyo Arts and Space Hongo
Wang Haiyang
3 NOV – 25 DEC 2018
Capsule Shanghai
The Artist Is Present
11 OCT – 16 DEC 2018
Yuz Museum, Shanghai
A mountain-like inquiry into “restoration”: Yamagata Biennale 2018 (Part 2) Works by Genkichi Takahashi featured in “Contemporary Yamagata Thought” (a special exhibit at Yamagata Biennale 2018: “100 Stories Like a Mountain”). From left to right: Tachiyagawa river v. rock face,View More >