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Runa Islam

I try to place the spectator in the dialogue, to make them find their own orientation. This Bangladesh-born, British artist and movie lover has produced a string of works referencing the history and vocabulary of film, focusing on the 14View More >

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Oh Inhwan: TRAnS

5.15 – 7.19 Artsonje Center (Seoul) Things of Friendship 2000- An exhibition tracing the transformations in Oh Inhwan’s experimental art through a body of work that includes new video and installation pieces. Rooted in social and cultural criticism, Oh usesView More >

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Hiroh Kikai: Persona

5.14 – 7.2 Yancey Richardson Gallery (New York) Celebrating Shichi-go-san, a gala day for girls at ages three and seven, 2001 Gelatin silver print, image 14 x 14″ / paper 16 x 20″ Signed, titled, editioned and dated in pencilView More >

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Higashionna Yuichi and Ukawa Naohiro

Channeling the myriad contradictions of reality into their art Here are two artists who by their own admission do nothing to stress their Tokyo identity. Even so, the city is indelibly imprinted on their art: perhaps because they search forView More >

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Dinh Q. Lê: Signs and Signals from the Periphery

5.7 – 6.27 Elizabeth Leach Gallery (Portland) Bicycle Repair Signals, 2009 16 digital prints on color photographic paper 246.4×424.2cm The Vietnamese-American artist returns to Vietnam’s street life with photo collages and installations. The work is bare, finding a more conceptualView More >

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Nam Bang!

4.4 – 6.21 Casula Powerhouse (Sydney) Dinh Q. Lê The Penal Colony: A Mapping of the Mind, 2008 4 channel video installation Courtesy the artist and Casula Powerhouse Even taking a seemingly innocuous look back decades after a conflict onView More >

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