By Kyoichi Tsuzuki There are certain individuals who in their youth avoid any place associated with karaoke, stubbornly preferring to remain cool and aloof by refusing to sing even when taken to such establishments, but who upon reaching middle ageView More >
Stranger on the Road By Hu Fang Cinema billboard designed by Ming Wong, painted by Neo Chon Teck (2009), variable dimensions, acrylic emulsion on canvas. All images: Courtesy the artist. Word Order Many of Ming Wong’s work titles invert aView More >
From the Forest to the Bangkok Streets By Gridthiya Gaweewong Still from Phantoms of Nabua (2009), from the project “Primitive.” © Chaisiri Jiwarangsan. One week after the government crackdown on the opposition UDD Red Shirt mobs at Bangkok’s Rachaprasong intersectionView More >
Issue 3: CINEMA Cinema as activism Cinema as archive Cinema as behavior Cinema as collage Cinema as construction Cinema as duration Cinema as economy Cinema as entertainment Cinema as experience Cinema as identity Cinema as index Cinema as language CinemaView More >
Stranger on the Road By Hu Fang Cinema billboard designed by Ming Wong, painted by Neo Chon Teck (2009), variable dimensions, acrylic emulsion on canvas. All images: Courtesy Ming Wong. Word Order Many of Ming Wong’s work titles invert aView More >
Asia-Pacific area Opening this week Ian Burns 7.29 – 8.28 Anna Schwartz Gallery (Melbourne) Trenton Doyle Hancock: “A Day Ahead A Head A Day” 7.31 – 9.4 Singapore Tyler Print Institute Gallery Closing this week Through 7.31 “Reverie” Chemould PrescottView More >
Memory, too, fails at such excess By Andrew Maerkle Les Archives du Coeur (2010). Photo Yasuhide Kuge, courtesy Naoshima Fukutake Art Museum Foundation. Throughout his four-decade-long career, Christian Boltanski has explored relations between objects and memory. His installations often useView More >
New developments in ‘double-line painting’ In the essay I wrote for the monograph nobuya HOKI drawings, published in 2004 (1), I indicated that there is a problem at once ancient and new at the root of Kyoto-based artist Nobuya Hoki’sView More >
Yasuhiro Suzuki – Ship of the Zipper (2010) Megijima, rendering. Courtesy the Setouchi International Art Festival. (Naoshima) On July 19, Japan’s newest art festival opened to the public. Sprawling across seven islands in the Seto Inland Sea as well asView More >
Asia-Pacific area Opening this week “Print of the Past: Back to the Sukhothai Era” 7.20 – 8.20 DOB Hualamphong Gallery (Bangkok) “Contemporaneity: Contemporary Art in Indonesia” 7.22 – 8.19 Museum of Contemporary Art (MOCA), Shanghai Michael Lee: “Lost City andView More >
By Naohiko Hino IUHunJGsBMU Set in Beijing World Park, the plot of Jia Zhangke’s 2004 film The World follows events in the lives of several fictional employees at an actual theme park in Beijing that features miniature recreations of famousView More >
Defining a Proposal Through Questions: Jun Yang on the Taipei Contemporary Art Center ON RECORD is a series of dialogues with contemporary artists about the ideas and influences that inspire their works. ON RECORD #2 was conducted in Tokyo andView More >