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Critical Fieldwork 42

Provoke and Con-pora IV: Post Con-pora Expression The Con-pora photography of Japan has a characteristic that the original Con-pora photography could never have had. That is, an American flavor that was somewhat liberated from the prevailing sense of Japan atView More >

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Liam Gillick, Pt III

III. Suspended Agreement (2010), painted aluminium, transparent colored plexiglass, 5 x 300 x 200 cm. Installation view at Taro Nasu, Tokyo, 2013. Courtesy Liam Gillick and Taro Nasu, Tokyo. ART iT: The design of the door downstairs, with a frameView More >

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Liam Gillick, Pt II

II. Exhibition view, “A short text on the possibility of creating an economy of equivalence,” Palais de Tokyo, Paris, 2005. Photo © Daniel Moulinet, courtesy Air de Paris, Paris. ART iT: Earlier this year you presented the Bampton Lectures 2013View More >

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Liam Gillick, Pt I

ON A CERTAIN DAY IN A CERTAIN PLACE AND TIME By Andrew Maerkle Liam Gillick – Factories in the snow (2007), exhibition view in Philippe Parreno: “Anywhere, Anywhere, Out Of The World,” Palais de Tokyo, 2013. Photo Aurélien Mole. BornView More >

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Jean-Hubert Martin

MEASURES OF CHANGE By Andrew Maerkle Ilya and Emilia Kabakov – Study for La Porte, sketch for Monumenta 2014, “The Strange City.” All images: © Ilya and Emilia Kabakov / ADAGP, Paris 2014. Born in 1944, Jean-Hubert Martin joined theView More >

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