Bridges and ladders: The forgotten Kanogawa Typhoon Floating debris collecting at the Chitose Bridge, photographed by Shunji Ishii in 1958. Collection Kanogawa Resource Center; courtesy Ministry of Land, Infrastructure and Transport, Numazu Office of River and National Highway. View More >
“I was working on site, transcribing and arranging these aphoristic notes I had compiled in the memo app on my iPhone, and as I wrote everything out I started hearing this voice in my head saying, ‘There’s no way this could ever be realized.’ I went back and forth with myself about it. Then at the end I thought: ‘Capitalism right now . . . needs to change!'”
[Part I] June 30 (Saturday) – August 23 (Thursday), 2018 [Part II] August 24 (Friday) – September 30 (Sunday), 2018 Kankai Pavilion (Traditional East Asian Art) Over the ages, in both the East and the West, artists have sought outView More >
Madhat Kakei’s paintings, wanderings/circles, and coincidence Installation view of untitled paintings by Madhat Kakei at Akutsu Gallery, Maebashi (2017). All photos: Noi Sawaragi, courtesy Madhat Kakei. A young architect friend told me there was a Kurdish painterView More >
About This manual focuses mainly on the SNS (social networking site) features of our website. For information on the features of the Magazine, official blog sections, and other features of the site overall, please see “About ART iT.” Access toView More >
BETWEEN PRACTICE AND THEORY By Futoshi Hoshino Nicolas Bourriaud lectures at Tokyo University of the Arts, January 8, 2018. Photo: Shu Nakagawa, courtesy Tokyo University of the Arts. One of the premier intellects in the fields of contemporary art andView More >
II. Prologue: Squat/Anti-Squat (2016), film installation with dialogue on back-to-back screens, 17 min each side, installation view in the Dutch Pavilion at the 57th Venice Biennale, 2017. Photo Daria Scagliola. All images: © Wendelien van Oldenborgh, courtesy the artist andView More >
STARING WITH EQUALITY Cinema Olanda Film (2017), digital projection, 17 min, installation view in the Dutch Pavilion at the 57th Venice Biennale, 2017. Photo Giacomo Frison. All images: © Wendelien van Oldenborgh, courtesy the artist and Wilfried Lentz Rotterdam. BasedView More >
STARING WITH EQUALITY Cinema Olanda Film (2017), digital projection, 17 min, installation view in the Dutch Pavilion at the 57th Venice Biennale, 2017. Photo Giacomo Frison. All images: © Wendelien van Oldenborgh, courtesy the artist and Wilfried Lentz Rotterdam. BasedView More >
A Restatement: The Art of ‘Ground Zero’ (Part 35) Osamu Kokufu’s Engine in the Water and its other selves Installation view of “Osamu Kokufu: Engine in the Water Redux” Part 2 (2017) at Art Space Niji. Photo: Tomas Svab.︎ ItView More >
Le Studio’s theme for 2017 is “The Sense of Object.” In October and November, we present a special two-month autumn program focusing on food, clothing and shelter. In any era of history, objects relating to food, clothing, and shelter, andView More >
A Restatement: The Art of ‘Ground Zero’ (Part 33) Tadashi Tonoshiki and Anti-Scene ‘Reversal’ Tadashi Tonoshiki – BARRICADE IWAKI (1988). Installation view at Iwaki City Art Museum. All photos: Courtesy Hiroshima City Museum of Contemporary Art.︎ I had the opportunityView More >