Art object 》 1999 of the Yutokutaishi Akiyama 《 meditation, Kotobuki Shiriagari 《 father 》 2011
Pioneer, Yutokutaishi Akiyama of the avant-garde art, popular figure comic artist, Kotobuki Shiriagari
In 1975, the Tokyo governor’s race run in 79 is known widely, and “codevelop をはじめ, a performance on the pretence of a pop incident particularly, as for Yutokutaishi Akiyama (1935 …), a campaign poster is stored up Dali” after the 1960s by the art museums as a work of the whole country. On the other hand, I produced a sculpture with the tin plate which modelled a baron and a Buddhist image continuously. In late years I announce the publication of the essay, the new work of the tin plate sculpture and continue carrying out an excellent activity.
Kotobuki Shiriagari (1958 …) is in charge of package design, advertisement after Tama University of Arts graduation in a major beer maker and achieves a debut as a comic artist in “spring that is an electric guitar” in 1985. In late years I open width of the creation in an essay, a picture, many aspects including the art while I attract attention as a new type of gag comic artist whom I worked as mainly on a parody, and I am absurd, and the works which I pictured the end-like world in continue carrying out an activity in sequence original as announcement, a comic artist after independence in 1994.
The collaboration that was over both the genre and the generation causes a miracle! ?
Melt at this exhibition for a tin plate sculpture to date, a tin plate picture, many incidents, sumi drawing drawing installation by Kotobuki Shiriagari from the early days by Yutokutaishi Akiyama and can enjoy … しょん, the conventional step of both including the Kotobuki Shiriagari history museum at one sweep.
Display space constructed by the collaboration of both “is Noah’s ark of the tin plate” and, in addition to it, puts old and new works together and shows a possible requiem and form of the relief in these two people. I know it, and in plural “loose … しょん” including the new work with the tsunami by the East Japan great earthquake disaster as a motif and Akiyama display art object 》 others of the 《 meditation that did a hexagon temple washed away by a tsunami in a motif, the loss and a tin plate sculpture concerning the prayer. It is an expression of the manners that I can take as an artist for the difficult situation that this country after the earthquake disaster faces, and it may be said that it is form of the relief that both writers who came with humor and a parody facing society picture.
: The details of the exhibition look at this museum website:
※I am delivering the original contents including the performance picture by Yutokutaishi Akiyama
http://www.hcmca.cf.city.hiroshima.jp/web/buriki/index.html
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Session from Saturday, October 29, 2011 to January 9, 2012 Monday (holiday)
Opening time from 10:00 to 17:00
I am closed for .4 days for from December 27 to January 1 for the ※ year-end and New Year holidays on a closure the sun and the moon day and open it for .9 days for .3 days on January 2.
Yutokutaishi Akiyama (the left) Courtesy of Yutokutaishi Akiyama
Kotobuki Shiriagari (the right) ©Shiriagari Kotobuki
Kingdom of Kotobuki Shiriagari 《 me, so huge よ 》
2006 display scenery photography in the Yokohama art museum: 菅谷守良提供: Yokohama art museum
Yutokutaishi Akiyama 《 cow and man 》 2007