Building called the 〈 collection exhibition 〉 building art


1018 Martin クリード 《 Opus 》 2009
Photo: Nobutada Omote

Form to build it in Hiroshima, and to create and to pay its attention to through art for trial

In Hiroshima-shi Museum of Contemporary Art, I look back toward the tide of art from the 60s to the present age than collection of this museum by relations of art and a building, a building and the art and hold a collection exhibition “building called the building art” to read from various trials of artists.

I search it from three pillars about art and a building detonating by contact by the book exhibition. I pay more attention to the building-like construction characteristics of the art work and contemplation for the space from trials such as minimalism or the materials art sect with “the building called the sculpture”. I intervene in in a fiction brought about, the building world that are イマジナリー to develop freely and the city space that are the organic aggregate of the building by “the intervention to the city” from a picture, a print, the imagination of the artist such as the picture in “the building world that is イマジナリー / Ann build” and put a crack in the daily life that is a routine and introduce the writer challenge filled with social viewpoints to shake a completion concept.

The power of overwhelming nature swallowed the town which ran it every day of people by a great earthquake disaster of the last year without mercy. I get the book exhibition from the big loss in Hiroshima toward the revival and pay more attention to form and a trial of the art to create.

Iida good country, Takeyoshi Inoue, Tsuyoshi Ozawa, he Teppei Kim, Tadashi Kawamata
Kishio Suga, Hiroshi Sugimoto, Masao Haitani, Kazuo Yuhara, Shizuka Yokomizo
Christ, Martin クリード, Donald Judd Gordon Matta = Clark, Ukan Ri others

: The details of the exhibition look at this museum website:
http://www.hcmca.cf.city.hiroshima.jp/web/main/collection2012-1.html

— – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

A session: From Friday, March 16, 2012 to Sunday, June 24 meeting place: Hiroshima-shi Museum of Contemporary Art B exhibition room
A rate: General 360(280) Japanese yen, university student 270(210) Japanese yen, high school student 170(130) Japanese yen
   ※(the group rate where it is more than 30 in))

which thinks about -related program Tsuyoshi Ozawa “aesthetics reconsideration / participation type art of the relationship”

The work which “is “participation type” sites Pesci Fick” who I appear in the 1990s, and came into the limelight. I talk to a guest in a dialog by a motive of the participation type work production, the situation of the art scene of the 90s, a change over the art to reach more at the present, problems in artist, Tsuyoshi Ozawa who pulled the tide.

The date and time: A Saturday, March 17, 2012 from 14:00 to 15:30 lecturer: Tsuyoshi Ozawa (artist)
A moderator: Yukie Kamiya (Hiroshima-shi Museum of Contemporary Art) meeting place: Museum studio
※It is participation free of charge, an application-free


Kishio Suga 《 concentration characteristics and 領界性 》 1995


2003 stupid house 》 – of Tsuyoshi Ozawa 《 Ivan
Photo: Yamamoto Masato (SOSOUP)


He Teppei 《 Tower (Movie) 》 2009 Kim
© Teppei Kaneuji
Courtesy: ShugoArts

Copyrighted Image