I introduce exhibition pictorial record of temporary exhibition “place where the countercurrent is born Tadashi Tonoshiki” held now.
This exhibition which looks back on a writer from Hiroshima meeting 25 years after death, an activity of Tadashi Tonoshiki comprehensively. I let a style change busily during the limited period less than 30 years, and a work and an activity of Tonoshiki that accomplished a variety of development were finished in condensed one. I feel power from the binding by a design of a Nakano bold person as well as a book exhibition handbill, the poster of the big impact.
Other than an abundant work plate, a lot of related documents publish a letter or the idea notebook of the handwriting, too. I can see a work of Tonoshiki from various viewpoints.
[table of contents]
Replacing with the opening; and memorandum Junji Teraguchi (Hiroshima City Museum of Contemporary Art vice-director) about – Tadashi Tonoshiki
Ⅰ Any shit, such picture are …: It is 1964-1970 from initial concreteness to a picture of the pop art work
Ⅱ The passion that was enfolded: Experiment 1970-1980 of a sketch and the copperplate engraving
Ⅲ I leave a thing when I describe it well: Creation at the place called Nagato
Ⅳ The thing which peeps out from the gap that I fill it up: Expression 1980-1985 by repetition and the accumulation
Ⅴ Reality to flow backward: Installation 1983-1991 by the scrap wood
Straight まれるところ Tsuyoshi Matsuoka (Hiroshima City Museum of Contemporary Art curator) chronological history of the countercurrent
Handlist
List of exhibition
[specifications]
Price 3,672 yen (tax-included), page 280, B5 plan, the supervision: Hiroshima City Museum of Contemporary Art book design: Nakano bold person (Nakano design office) print: Live art books production, issuance: grambooks