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Liam Gillick, Pt II

II.   Exhibition view, “A short text on the possibility of creating an economy of equivalence,” Palais de Tokyo, Paris, 2005. Photo © Daniel Moulinet, courtesy Air de Paris, Paris.   ART iT: Earlier this year you presented the BamptonView More >

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Liam Gillick, Pt I

ON A CERTAIN DAY IN A CERTAIN PLACE AND TIME By Andrew Maerkle   Liam Gillick – Factories in the snow (2007), exhibition view in Philippe Parreno: “Anywhere, Anywhere, Out Of The World,” Palais de Tokyo, 2013. Photo Aurélien Mole.View More >

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Glenn Ligon: Pt I

ECRITURE/ERASURE/ECSTASIS By Andrew Maerkle Untitled (I Feel Most Colored When I Am Thrown Against a Sharp White Background) (1990-91), oil stick, gesso and graphite on wood panel, 203.2 x 76.2 cm. All images: Unless otherwise noted, courtesy Glenn Ligon. BasedView More >

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Glenn Ligon: Pt II

II. Feast of Scraps (1994-98), detail, photographs and text, 29.2 x 52.1 cm. All images: Unless otherwise noted, courtesy Glenn Ligon. ART iT: We were just speaking about how art balances between transgression and aesthetization, and how what is consideredView More >

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Luke Fowler

LEADER AS GUTTER By Andrew Maerkle   Luke Fowler & Toshiya Tsunoda – Leader As Gutter, installation view at Taka Ishii Gallery, Tokyo, 2013. Photo Kenji Takahashi, courtesy of Taka Ishii Gallery, Tokyo.   Based in Glasgow, Luke Fowler maintainsView More >

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Fiona Tan

HALL OF MIRRORS By Andrew Maerkle   Rise and Fall (2009), installation view at the 21st Century Museum of Contemporary Art, Kanazawa, 2013. Photo ART iT.   Based in Amsterdam, Fiona Tan makes works that investigate the nature of memory,View More >

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