NOUGHT BUT THE LEG By Andrew Maerkle Dry Clay Figure (2014), painted bronze, wood, 101.3 x 42 x 45.1 cm, installation view at Gallery Koyanagi, 2015. Photo Keizo Kioku, © Mark Manders, courtesy Zeno X Gallery, Antwerp, and Gallery Koyanagi,View More >
BETWEEN VOID AND MASS By Natsuko Odate Left: OFFERING – Collection #5 (2014). Right: OFFERING – Collection #27 (2014). All images: Courtesy Emiko Kasahara. Born in Tokyo in 1963 and currently based in Kanagawa, Emiko Kasahara is best known forView More >
III. Still from It For Others (2013), 16 mm and analogue video transferred to digital video, 54 min. All Images: Courtesy Duncan Campbell and Rodeo, Istanbul/London. ART iT: In addition to the possibilities of making a film adaption of Capital,View More >
II. Still from Falls Burns Malone Fiddles (2003), 35 mm photographic negatives and 16 mm film transferred to digital video, 33 min. All images: Courtesy Duncan Campbell and Rodeo, Istanbul/London. ART iT: We were just talking about your early filmView More >
PRECIPITATE RELATIONS By Andrew Maerkle It for Others (2013), 16 mm film, 54 min, black-and-white and color, 16:9, with sound. Courtesy Duncan Campbell and LUX, London. Born in Dublin in 1972 and currently based in Glasgow, Duncan Campbell has wonView More >
MOVING IN PLACE By Andrew Maerkle The Three Songs (2015), site-specific sound installation at the Kamogawa Delta, Kyoto. Commissioned by Parasophia: International Festival for Contemporary Culture 2015. Photo courtesy Parasophia: International Festival for Contemporary Culture 2015. Born in Glasgow andView More >
VARIETIES OF DISSENT By Andrew Maerkle “Social Botany” project (2013- ), video still from Immortality. Born in 1957, Xu Tan first attracted international attention as member of the Big Tail Elephant group of artists active in Guangzhou in the 1990s.View More >
III. Boogie Frutti (2008), tempera and gold leaf on linen canvas, 200 x 200 cm. ART iT: You mentioned how roundness is deeply connected to the physical world of perpetual motion, friction, collision and collapse. In that sense, could weView More >
II. Yielding Stone (1992), Plasticine, 35.6 x 43.2 x 43.2 cm. Courtesy Gabriel Orozco and Marian Goodman Gallery. ART iT: We were just talking about your photographs and how the imprint of the body in life can have multiple connotations.View More >
INELUCTABLE MODALITY By Andrew Maerkle La DS Cornaline (2013), installation view in “Gabriel Orozco: Inner-Cycles” at the Museum of Contemporary Art Tokyo, 2015. Photo ART iT. One of the most significant artists to have emerged internationally since the start ofView More >