RECONCEIVING SOLIDARITY – RENTAI O SOUZOU SURU By Andrew Maerkle Still from Artist of Fasting (2016). All images: Courtesy Masao Adachi. Born in Kitakyushu in 1939, Masao Adachi is a legendary figure of Japan’s postwar avant-garde film and art scenes.View More >
REFLECTIONS – THE SPACE-TIME OF MEMORY By Natsuko Odate and Akira Rachi Empire’s Borders II – Western Enterprises, Inc. (2010), still. All images: Unless otherwise noted, courtesy Chen Chieh-jen. One of Taiwan’s leading artists, Chen Chieh-jen is known for hisView More >
(NON) POSSE (NON) PECCARE By Andrew Maerkle Installation view of “The Twelf Hobby : Lober xxbbyj, Religious Freedom Sex Magick” at Misako & Rosen, Tokyo, 2015. All images: Unless otherwise noted, courtesy Stephen G Rhodes and Misako & Rosen. StartingView More >
The Twelf Hobby Carbon Commandments Altered Religion Sex Magick Freedom (deleted daily) Stephen G. Rhodes 2015… Freedom?!!?! (2015), Chromogenic print in frame. Courtesy Stephen G Rhodes and Misako & Rosen, Tokyo. Commandments, extended by amendments, then exemptions, now excessive hobbies,View More >
II. To Beer Or Not To Beer (2014), Vacuum formed plastic and acrylic paint, 64 x 91 cm. All images: Unless otherwise noted, courtesy Slavs and Tatars. ART iT: From the start you have always worked with language, making theseView More >
THE OTHER SIDE OF THE RIVER By Andrew Maerkle “Mirrors for Princes: Both Sides of the Tongue,” installation view at NYU Abu Adhabi Art Gallery, 2015. All images: Unless otherwise noted, courtesy Slavs and Tatars. Formed in 2006, Slavs andView More >
III. gesture/data (2015), oil paint on flat-screen television, mp4 file (color, sound). All images: © Ken Okiishi; courtesy the artist and Take Ninagawa, Tokyo. ART iT: In addition to the multimedia piano performance Vorstellungsklavier, you also once did a more-or-lessView More >
II. gesture/data (feedback) (2015), oil paint on flat-screen television, mp4 file (color, silent) and feedback mp4 file (color, sound). All images: Unless otherwise specified, © Ken Okiishi; courtesy the artist and Take Ninagawa, Tokyo. ART iT: The “gesture/data” paintings areView More >
III. Video still from Looking Pretty for God (After GW) (2008), single-channel video, color, sound, 27 min. All images: Unless otherwise noted, © Omer Fast; courtesy the artist, gb agency, Paris; and Taro Nasu, Tokyo. ART iT: Speaking of EverythingView More >
AB/EX/IN/AMB/OM By Andrew Maerkle gesture/data (feedback) (2015), oil paint on flat-screen television, mp4 file (color, silent) and feedback mp4 file (color, sound). All images: Unless otherwise specified, © Ken Okiishi; courtesy the artist and Take Ninagawa, Tokyo. Born in 1978View More >