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Curators on the Move 6

Reinventing Biennials A letter from Hou Hanru to Hans Ulrich Obrist Dear HUO Nice to see you again at the Venice Biennale opening earlier this month: as intense and inspiring as usual, one of those ‘hurricane moments’ we always have!View More >

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Curators on the Move 5

Exhibition-making in a transnational context A letter from Hans Ulrich Obrist to Hou Hanru Dear HHR Your text on Adel and Ming also made me think of the transnational condition of art. As Simryn Gill once told us at theView More >

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Curators on the Move 4

Yan Pei Ming and Adel Abdessemed A letter from Hou Hanru to Hans Ulrich Obrist Dear HUO, I’d like to return to the reflections on Paul Chan’s work that you sent me two issues back. I’m keen to exchange viewsView More >

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Curators on the Move 3

Interview Marathon A letter from Hans Ulrich Obrist to Hou Hanru Dear Hanru I hope your move to San Francisco went well and am very curious to hear more about your new city. I am in London now and toView More >

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Sawaragi Noi: Notes on Art and Current Events

Index 6: Chaos*Lounge 2010 – Budding freedom/equality and their future 5: Ernest Fenollosa – the unacknowledged source of simulationism? 4: From art history concepts to independents – On viewing the Expressionist Movements in Japan exhibition 3: Overseas territories as culturalView More >

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Curators on the Move 2

Laboratory for an uncertain future A letter from Hou Hanru to Hans Ulrich Obrist Dear HUO, I was very impressed by your text on Paul Chan. Certainly the question of political engagement in contemporary art activity has become more crucialView More >

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Curators on the Move 1

Paul Chan in the Uncertain States of America A letter from Hans Ulrich Obrist to Hou Hanru Dear Hanru Last night, as I was writing a bit about Paul Chan, I suddenly decided to send it to you. If weView More >

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