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Is it I, or is it not I?

Four essays on art and blindness. By Aveek Sen I By God! if wommen hadde writen stories. – Chaucer, “The Wife of Bath’s Prologue” in The Canterbury Tales. In the early years of the 1810s, the dusk of the firstView More >

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Critical Fieldwork 11

Seiichi Furuya: The Disclosed Mémoires (Part II) Christine Furuya-Gössler Mémoires 1978-1985 (1997) presents in chronological order from the time Furuya met her until her death photographs of “Christine” – who by then had become a categorical point of singularity –View More >

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Abstract Reading with Sora Kim

All images: Still from Abstract Reading (2010), video, black-and-white, 24 min 30 sec. Courtesy the artist and Atelier Hermès, Seoul. Abstract Reading (2010) is part of a cycle of four new video works that I have made for my currentView More >

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A LIBRARY OF IMAGES

Dan Cameron on his personal Image Archive and its role in his curatorial practice Courtesy Dan Cameron. Most curators are, at their core, collectors of a sort, and recently I have decided to come to terms with the fact thatView More >

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No. 18

FREEDOM ON EARTH: METABOLISM, FAVELA, YANGJIANG GROUP A letter from Hou Hanru to Hans Ulrich Obrist The Yangjiang Group headquarters. © the artists. Dear HUO, I enjoyed very much reading your comments on Metabolism, and especially Damisch’s A Theory ofView More >

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Critical Fieldwork 10

Seiichi Furuya: The Disclosed Mémoires (Part I) East Berlin, 1985. Published intermittently since 1989, Seiichi Furuya’s series of photobooks entitled “Mémoires” was concluded this year with the appearance of volume five. Furuya’s 25-year “journey” began in the fall of 1985View More >

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Rem Koolhaas / OMA*AMO in Venice: 2005-2010

Co-founder in 1975 of the Rotterdam-based firm Office for Metropolitan Architecture (OMA), Rem Koolhaas is known not only for producing designs and masterplans of radical innovation, but also for radically innovating contemporary architectural practice through his numerous publications and exhibitions.View More >

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