Curators on the Move 5
Exhibition-making in a transnational context A letter from Hans Ulrich Obrist to Hou Hanru Dear HHR Your text on Adel and Ming also made me think of the transnational condition of art. As Simryn Gill once told us at the
Past series
Curators on the Move 4
Yan Pei Ming and Adel Abdessemed A letter from Hou Hanru to Hans Ulrich Obrist Dear HUO, I’d like to return to the reflections on Paul Chan’s work that you sent me two issues back. I’m keen to exchange views
Curators on the Move 3
Interview Marathon A letter from Hans Ulrich Obrist to Hou Hanru Dear Hanru I hope your move to San Francisco went well and am very curious to hear more about your new city. I am in London now and to
Sawaragi Noi: Notes on Art and Current Events
Index 6: Chaos*Lounge 2010 – Budding freedom/equality and their future 5: Ernest Fenollosa – the unacknowledged source of simulationism? 4: From art history concepts to independents – On viewing the Expressionist Movements in Japan exhibition 3: Overseas territories as cultural
Curators on the Move 2
Laboratory for an uncertain future A letter from Hou Hanru to Hans Ulrich Obrist Dear HUO, I was very impressed by your text on Paul Chan. Certainly the question of political engagement in contemporary art activity has become more crucial
Curators on the Move 1
Paul Chan in the Uncertain States of America A letter from Hans Ulrich Obrist to Hou Hanru Dear Hanru Last night, as I was writing a bit about Paul Chan, I suddenly decided to send it to you. If we
Shiriagari Kotobuki’s Unsolicited Proposals: No. 1
The Staff Contemporary art surely has to be the freest form of expression in the world. A painting, an object, a performance: simply say ta-dah! A work of art! And there you have it ? contemporary art. But even contemporary
Shiriagari Kotobuki’s Unsolicited Proposals: No. 2
Contemporary “hot spring” art museum What would you do if a hot spring sprung in your backyard? Build a super sento public bath with all the trimmings? A spa, a sanitarium? Sure, but there are plenty of these already. How
Shiriagari Kotobuki’s Unsolicited Proposals: No.3
Announcing the results of our ‘unsolicited proposal’ selection! (Round 1) Well we called for your proposals, and sure enough, in they rolled! A grand total of two that is, so far anyway. Huh! Anyway, this issue we present the proposal
Shiriagari Kotobuki’s Unsolicited Proposals: No. 4
Announcing the results of our ‘unsolicited proposal’ selection! (Round 2) It’s here at last: autumn, the season of art. So exclusively for the enjoyment and edification of ART iT readers, this issue we present a proposal from Monika, of Poland.
Shiriagari Kotobuki’s Unsolicited Proposals: No. 5
Announcing the results of our ‘unsolicited proposal’ selection! (Round 3) Once again this issue we present a proposal from overseas ? this time from Italy. Hang on, what’s this?! Traversing the galleries of New York’s venerable Guggenheim Museum, fabled creation
Shiriagari Kotobuki’s Unsolicited Proposals: No. 6
Exhibition of Manga This issue’s proposal is an exhibition concept complete with all the bells and whistles, primed and ready for use by any worthy art museum. Recently the likes of manga and anime have been elevated to the status