Why Fujihata Masaki withdrew his work from CREAM
Text in Japanese.
Past series
CREAM artists answer the question…
What are the greatest possibilities and challenges you face in your current (media-based) art practice? Alfredo Jarr (The Sound of Silence) http://www.ifamy.jp/en/programs/single/414/ My greatest challenge is ALWAYS my next project. Hachiya Kazuhiko (Seeing is believing) http://www.ifamy.jp/en/programs/single/519/ Photo
Tanaka Koki: I ask…
Text in Japanese only.
Minoru Shimizu | Critical Fieldwork 2
Observations on Contemporary Art in Japan From Collage/To Collage Varda Caivano Untitled 2007 Oil on canvas, 51x70cm, Courtesy Tomio Koyama Gallery Varda Caivano at the Tomio Koyama Gallery Kyoto; William Kentridge at the National Museum of Modern Art, Kyoto;
Critical Fieldwork 2
From Collage/To Collage Varda Caivano – Untitled (2007), oil on canvas, 51 x 70 cm. Courtesy Tomio Koyama Gallery. Varda Caivano at the Tomio Koyama Gallery Kyoto; William Kentridge at the National Museum of Modern Art, Kyoto; the photographs
Sawa Takashi: Powerful yet transitory film and new media
‘One viewpoint’ for enjoying the International Festival for Arts and Media Yokohama Text: Sawa Takashi The International Festival for Arts and Media Yokohama examines the present state of film and new media. This article offers some background information on recent
Tanaka Koki: I ask…
Text in Japanese only.
What is Japanese Art 3: Koyama Tomio (part 2)
A conversation between Ozaki Tetsuya and Koyama Tomio (part 2) Text in Japanese.
Sawaragi Noi: Notes on Art and Current Events 1
Where is the contemporary in Ohtake Shinro? As from this month I’ll be contributing a column monthly. I’ve just now sat at my desk to pen the first of these. I’m already writing monthly exhibition reviews for Bijutsu techo, so
Tanaka Koki: I ask…
Text in Japanese only.
[Index] Tanaka Koki: Correspondences
Text in Japanese only.
What is Japanese Art 3: Koyama Tomio (part 1)
A conversation between Ozaki Tetsuya and Koyama Tomio (part 1) Text in Japanese.