8th Yokohama Triennale “Wild Grass: Our Lives” (1)

8th Yokohama Triennale “Wild Grass: Our Lives”
March 15 – June 9, 2024
Yokohama Museum of Art, Former Daiichi Bank Yokohama Branch, BankART KAIKO, Queen’s Square YOKOHAMA, Motomachi-Chūkagai Station Accessway
Artistic Director: LIU Ding, Carol Yinghua LU
https://www.yokohamatriennale.jp/2024/en

 

(1) (2) (3)

 

Exterior of the Yokohama Museum of Art


Facade: Joar Nango, They Don’t Follow Routes and They Don’t Conform to Regulated Order/ Eai Čuovo mearriduvvon luottaid eai ge vissis njuolggadusaid (2024)


Puppies Puppies (Jade Guanaro Kuriki-Olivo), Barriers(stanchions) (2017-2024)


SIDE CORE, big letters, small things (2024)

 

“Our Lives”


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024


Sandra Mujinga, And My Body Carried All of You (2024)


Pippa Garner, Human Prototype (2020)


Özgür Kar, Fallen Tree (2023/2024), Sandra Mujinga, Unearthed Leaves (2024)


“Directory of Life”


From the Left: Miles Greenberg, Janus (2022), Mars (2022)


Joar Nango, Ávnnastit/Harvesting Material Soul (2024)


Emmanuel Van Der Auwera, VideoSculpture XXVIII (January 6th) (2023)


Susan Cianciolo


Open Group (Yuriy Biley, Pavlo Kovach, Anton Varga), Repeat After Me (2022)


Susan Cianciolo, RUN CAFÉ (2016-2017)


Seren Aagaard, Preppers Lab (2024)


Lieko Shiga, Emergency Library (2024)


Lieko Shiga, DIALOG IN THE FOG: FIRE─What Nozomi Onodera, a hunter, told me in the mountains of the Oshika Peninsula in Miyagi Prefecture. (2023-2024)


Lieko Shiga, DIALOG IN THE FOG: FIRE─What Nozomi Onodera, a hunter, told me in the mountains of the Oshika Peninsula in Miyagi Prefecture. (2023-2024)


Raffaella Crispino, Nous (2021)

 

「密林の火」


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024


Takashi Hamaguchi


Pope.L, The Great White Way, 22 miles, 5 years, 1 street (Segment #1: December 29, 2001) (2001-2006/2024)


Hakuson Kuriyagawa, “Leaving the Ivory Tower” (published in 1920)


Ingo Niermann, Erik Niedling, WALDER (2023)


Matthew Harris, Consigned to Oblivion (2023)


Akio Kobayashi and B-semi


Akio Kobayashi and B-semi


Eiko Otake, A Body in Fukushima (2014-2019) (2014-2019/2024)


Eiko Otake, A Body in Fukushima (2014-2019) (2014-2019/2024)


Allan Sekula, This Ain’t China: A Photonovel (1974/2024)


Jeremy Deller, The Battle of Orgreave (2001)


Jeremy Deller, The Battle of Orgreave (2001)


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024


From the Left: Tomas Rafa, Video V59: Protest of nationalists against Roma people (2013), Josh Kline, By Close of Business (Maura / Small-Buisiness Owner) (2016), Productivity Gains (Brandon / Accountant) (2016)


Takashi Hamaguchi


Artan Hajrullahu


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024

 

“Streams and Rocks”


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024


From the Left: Rita Siegfried, Breakthrough(Der Durchbruch) (2021), The Neighbor(Der Nachbar) (2019), Zimmerlinde (2021)


Hide Kawanichi, Artist’s Garden (1944)


Li Pingfan


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024


Left: Rita Siegfried


Yasunori Taninaka


Xper.Xr, From “Tailwhip” (Losing my religion, Yokohama, 2024) (2024)


Stanya Kahn, No Go Backs (2020)


From the Top: Norm Clasen, Treiborlang Lyngdoh Mawlong


Treiborlang Lyngdoh Mawlong

 

“Symbol of Depression”


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024


Photograph by Tom Williams as presented by Jonathan Horowitz, Food industry workers rally on the National Mall to highlight the contributions immigrants have made during the pandemic and call on Congress to deliver COVID-19 and citizenship relief for 11 million undocumented immigrants on Wednesday, February 17 (2021/2024)


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024


Zhao Yannian, Wild Grass (1978)


Dobai Péter, Archaic Torso (Archaikus Torzó) (1971)


Miho Dohi


From the Top: Zheng Yefu, Flood (1932), Tadashige Ono, Death of Three Generations (1931)


Vunkwan Tam


Zhao Wenliang


Installation view, 8th Yokohama Triennale “Wild Grass: Our Lives,” Yokohama Museum of Art, Kanagawa, 2024


From the Top: Pippa Garner, Un(tit)led (HE 2 SHE) (c. 1969-1972/2024), Un(tit)led (Women Should Be Free) (No Charge), (n.d./2024), Un(tit)led (Man with Kar-Mann) (c. 1969-1972/2024)


South Ho


From the Left: Pippa Garner, Un(tit)led (Self-Portrait in Military Uniform) (1997/2024), Sibylle Ruppert, Drawing for D.A.F. de SADE (Design pour D.A.F. de SADE) (1976)


Lu Xun, “Wild Grass” (1927)


Käthe Kollwitz, Mourning of Karl Liebknecht (1919-1920)


Vunkwan Tam

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