Debordering: Woodcut Printmaking Practice in Inter-Asian Context @ The Chinretsukan Gallery, Tokyo University of the Arts

Debordering: Woodcut Printmaking Practice in Inter-Asian Context
28 APR – 8 MAY 2023
2F The Chinretsukan Gallery, Tokyo University of the Arts, Tokyo
https://aai.geidai.ac.jp/
https://aai.geidai.ac.jp/debodering/
Curators: Krystie Ng (Researcher, Kuala Lumpur), Lee Chun Fung (Artist, Hong Kong), Kenichiro Egami (Researcher, Fukuoka)

Installation view “Debordering: Woodcut Printmaking Practice in Inter-Asian Context”, The Chinretsukan Gallery, Tokyo University of the Arts, Tokyo, 2023

left: Printhow(點印社), People and Places That We Missed (2023)　center: Printhow(點印社), initial P (2022)　right: Printhow(點印社), We Eat and We Print in Circle (2023)

Print & Carve Department(印刻部), Play the Non-Citizen Cards (2020)

Woodcut Wavement(木刻波流), Installation view “Debordering: Woodcut Printmaking Practice in Inter-Asian Context”, The Chinretsukan Gallery, Tokyo University of the Arts, Tokyo, 2023

Pangrok Sulap, Education without Borders (2023)

Kim Eok(金億), DMZ Series (2019)

left: Kim Eok(金億), Yanggu Haean Basin [Punch Bowl] (2019)　center: Kim Eok(金億), Yanggu Dutayeon (2019)　right: Kim Eok(金億), The Goseong Unification Observatory (2019)

Taring Padi, People’s Trumpet (2018-19)

Installation view “Debordering: Woodcut Printmaking Practice in Inter-Asian Context”, The Chinretsukan Gallery, Tokyo University of the Arts, Tokyo, 2023

left: Jay Lau Ka-chun(劉家俊), See You, Hong Kong (2023)　center: Jay Lau Ka-chun(劉家俊), Carving the Boundary (2023)　right: Jay Lau Ka-chun(劉家俊), The skeleton of Lu Ting and Chung Ying Street (2023)

left: Lam Lok-san(林樂新), So Close, So Far– Pregnant (2023)　center: Lam Lok-san(林樂新), So Close, So Far– Eight Months Old (2023)　right: Lam Lok-san(林樂新), So Close, So Far– Reunion Moment (2023)

A3BC(Anti-War, Anti-Nuclear and Arts of Block-print Collective), Decomposers (2023)

left: Chen Wei-lun(陳韋綸), Scream for Wuhan City (2020)　center: Chen Wei-lun(陳韋綸), Checkerboard Stands for Unity not Division (2020)　right: Chen Wei-lun(陳韋綸), Miramar Union Will Win the Strike (2021)

Printmaking for the People, Red Seedling (2022)

Printmaking for the People, Installation view “Debordering: Woodcut Printmaking Practice in Inter-Asian Context”, The Chinretsukan Gallery, Tokyo University of the Arts, Tokyo, 2023

Prickly Paper『刺紙』, Installation view “Debordering: Woodcut Printmaking Practice in Inter-Asian Context”, The Chinretsukan Gallery, Tokyo University of the Arts, Tokyo, 2023