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ROSA BARBA: PT III

“For me the volcano has always represented a central metaphor for the complex relationships between society and politics in Italy. At the foot of the sleeping monster the mafia runs its empire. Meanwhile, all official attention is focused on the volcano, where nature is dramatized as a media spectacle—a powerful structure beyond comprehension.”

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ROSA BARBA: PT II

“I try to create an anarchic organization of cinematic space in my films and larger exhibitions. Anarchic organization attempts to build a foundation for thinking and acting by destabilizing the old hierarchies of film’s components. It gives viewers more freedom about where to look, what to read first, how to bring all of these narratives together, and, indeed, how to edit the space.”

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ROSA BARBA: PT I

DOUBLE WHISTLER — By Andrew Maerkle
“In recent years I’ve been struck by the affinities between astronomy and cinema. On one level, both engage with concepts of light, time, and distance. Indeed, it could be argued that both astronomy and cinema are essentially composed of only these elements. On yet another level, both can be understood as sharing, in different ways, fundamental aspects of uncertainty and speculation.”

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