Halfway Happy Vol.3 Natsuki Kuroda: The Photograph Begins
16 MAR – 5 JUN 2021
gallery αM
Curator: Arata Hasegawa (Independent Curator)
Magazine
Galleries Curate: RHE @ Take Ninagawa
Galleries Curate: RHE (Aki Sasamoto, Tsuruko Yamazaki)
9 MAR – 3 APR 2021
Take Ninagawa
Artists and the Disaster: Imagining in the 10th Year @ Contemporary Art Gallery, Art Tower Mito
Artists and the Disaster: Imagining in the 10th Year
20 FEB – 9 MAY 2021
Contemporary Art Gallery, Art Tower Mito, Ibaraki
Curator: Yuu Takehisa (Senior Curator, Contemporary Art Center, Art Tower Mito)
project N 81 – Mayuko Ose @ Tokyo Opera City Art Gallery
project N 81 – Mayuko Ose
16 JAN – 21 MAR 2021
Tokyo Opera City Art Gallery
Curator: Osamu Fukushi (Curator, Tokyo Opera City Art Gallery)
Hisachika Takahashi : This is Hisachika Takahashi @ MISAKO & ROSEN
Hisachika Takahashi : This is Hisachika Takahashi
28 FEB – 28 MAR 2021
MISAKO & ROSEN, Tokyo
Masaya Chiba Exhibition @ Tokyo Opera City Art Gallery
Masaya Chiba Exhibition
16 JAN – 21 MAR 2021
Tokyo Opera City Art Gallery
Curator: Motoaki Hori (Chief Curator, Tokyo Opera City Art Gallery)
Jiří Kovanda : On Air @ Aoyama Meguro
Jiří Kovanda : On Air
19 DEC 2020 – 14 FEB 2021
Aoyama Meguro
Santi Alleruzzo-Mediterranean light @ GALLERY SIDE 2
Santi Alleruzzo-Mediterranean light
24 NOV – 22 DEC 2020
GALLERY SIDE 2
Halfway Happy Vol.2 Kosuke Nagata: Eat @ gallery αM
Halfway Happy Vol.2 Kosuke Nagata: Kosuke Nagata: Eat
27 NOV 2020 – 5 MAR 2021
gallery αM
Curator: Arata Hasegawa (Independent Curator)
Euske Oiwa: Vacances @ Tokyo Arts and Space Hongo
OPEN SITE 5 Part 1
Euske Oiwa: Vacances
21 NOV – 20 DEC 2020
Tokyo Arts and Space Hongo, Tokyo
Chihiro Gompei and Miki Morioka: Until I hear my voice @ Tokyo Arts and Space Hongo
OPEN SITE 5 Part 1
Chihiro Gompei and Miki Morioka: Until I hear my voice
21 NOV – 20 DEC 2020
Tokyo Arts and Space Hongo, Tokyo
HO TZU NYEN: PT III
“Without doubt, many art institutions will harbor the fantasy of catching up to the instant—for example, by making ‘instagrammable’ shows—but for me, a possible redemption of the museum today is its very slowness. It can offer a break in the ‘rhetoric of immediacy’ demanded by the accelerated circuit of social media.”