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SACHIKO KAZAMA: PT I

NEVERENDING NEVERENDING STORIES—By Andrew Maerkle
“My idea was to produce a reportage painting that would chronicle Japan’s relationship with nuclear power. I think it’s the same for anybody, but something that starts out as a shocking event will fade from memory over the years. In order to resist that, I wanted to make a reportage painting ghastly enough to immediately recall the terror and foreboding of the time for viewers.”

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