Yasumasa Morimura and Ritsue Mishima: Where I Am Standing
30 OCT – 18 DEC 2021
ShugoArts, Tokyo

Yasumasa Morimura and Ritsue Mishima: Where I Am Standing
30 OCT – 18 DEC 2021
ShugoArts, Tokyo
Maya Watanabe: Suspended States
20 NOV 2021 – 10 JAN 2022
Kyoto Art Center, Kyoto
Minoru Onoda: The pulse of “Theory of Propagation Painting” a half-century later Minoru Onoda – Work 61-11 (1961), 91.4 x 133.1 x 7.4cm, collection Himeji City Museum of Art. Photo Shigefumi Kato. On May 15, 2021, eager toView More >
Restorations of Narrative
3 NOV 2021 – 9 JAN 2022
sendai mediatheque, Miyagi
Curator: Kento Shimizu (Curator, sendai mediatheque)
OPEN SITE 6 Part 1
KIM Insook: House to Home
16 OCT – 21 NOV 2021
Tokyo Arts and Space Hongo, Tokyo
Fundamentals / Yui Usui by XYZcollective
9 NOV – 28 NOV 2021
CADAN YURAKUCHO, Tokyo
OPEN SITE 6 Part 1
Ikumi Yang: When I quit eating tomato
16 OCT – 21 NOV 2021
Tokyo Arts and Space Hongo, Tokyo
Sachiko Kazama: Dyslympian 2021
30 OCT – 20 NOV 2021
MUJIN-TO Production, Tokyo
Light of My World
8 OCT – 7 NOV, 2021
Former Ginrei Building, Kyoto
Curator: Takuya Tsutsumi, Yuka Keino
NEVERENDING NEVERENDING STORIES—By Andrew Maerkle
“My idea was to produce a reportage painting that would chronicle Japan’s relationship with nuclear power. I think it’s the same for anybody, but something that starts out as a shocking event will fade from memory over the years. In order to resist that, I wanted to make a reportage painting ghastly enough to immediately recall the terror and foreboding of the time for viewers.”