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Critical Fieldwork 22

Video and rhythm: Akira Miyanaga’s arc (2011) and scales (2011) (Part 1) Generally speaking, the video art one sees these days in art exhibitions projected onto single or multiple screens in dark, partitioned rooms can be classified into three groups.View More >

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Naoya Hatakeyama

Lines, Models and Other Illusions By Aveek Sen   Installation view of TWENTY-FOUR BLASTS 2011 (2011). Courtesy Tokyo Metropolitan Museum of Photography. Architects continue to think and work towards the completion of architecture. But every step closer to completion takesView More >

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