Martha Rosler

Martha Rosler

THE GARDEN SPEAKS FOR ITSELF By Andrew Maerkle and Natsuko Odate Proposed Helsinki Garden at the Singapore Biennale (2011), site-specific community project
 commissioned by the Singapore Biennale 2011
. 
Photo Mae Ee Wong. All images: Courtesy Martha Rosler. In March 2011View More >

54th Venice Biennale

54th Venice Biennale

54th International Art Exhibition – Venice Biennale ILLUMInations June 4 – November 27, 2011 Multiple venues, Venice Jack Goldstein – The Jump (1978), 16mm film, colour, silent, 26 sec. All Images: Photo ART iT. Entitled “ILLUMInations” and organized by BiceView More >

Statement from the Editors

Statement from the Editors

A week has passed since the devastating Tohoku Pacific Earthquake and Tsunami that struck northeastern Japan March 11. With the ensuing nuclear crisis at Fukushima I Nuclear Power Plant, these events have taken a great human, economic and spiritual tollView More >

Tadasu Takamine

Tadasu Takamine

From the Mouth or in the Mouth but not of the Mouth – Words and Objects By Andrew Maerkle Installation view of Too Far to See (2011) at the Yokohama Museum of Art; ceramic, computers, projectors, speakers, mirrors; sound programmingView More >

Danh Vo: (Intimacy)

Danh Vo: (Intimacy)

Galoppa! (2009), installation view in the solo exhibition “Last Fuck” at Galleria Zero, Milan, 2009. Work details: one saddle, two framed documents (the riding saddle of bishop Peter Tran Thanh Chung who ministered to the indigenous people in the CentralView More >

Danh Vo: (Cruising)

Danh Vo: (Cruising)

Cultural Boys, Saigon, 1962, from the installation “Good Life” at Isabella Bortolozzi, Berlin, 2007. Courtesy Danh Vo and Galerie Isabella Bortolozzi, Berlin. (Cruising) ART iT: Who do you stay with in Pacific Palisades? DV: I stay with this American guyView More >

Tadasu Takamine

Tadasu Takamine

‘Too Far to See’ January 21 to March 20, 2011 Yokohama Museum of Art God Bless America (2002), video, 8 min 18 sec. In 2004, Tadasu Takamine’s video Kimura-san was preemptively removed from the group exhibition “Non-Sect Radical Contemporary PhotographyView More >

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