椹木野衣

Katsumi Sunamori – Implications of the Scenery (1)   Katsumi Sunamori – From the series “Unzen, Nagasaki” (1993-95). © Katsumi Sunamori Photography Office.   On the morning of June 2, 2019, I arrived at Nagasaki Airport and headed south byView More >

Imagination for recovery – Disaster and restoration   Kenichi Tanaka – (left to right)>: Haisen C (1964), oil on canvas; Still life 1 (1975), oil on canvas; Umibe no bochi A (1978), oil on canvas. Installation view at “Art DoctorView More >

Before “Freedom of Expression?”: 2019 for Shusei Kobayakawa, Kikuji Yamashita, and Nobuyuki Oura   Shusei Kobayakawa – Kuni no tate (Shield of the Nation) (1944), color on paper, collection Kyoto Ryozen Gokoku Shrine (entrusted to the Nichinancho Art Museum).  View More >

Evading Perspective – Thoughts inspired by “What If AI Composed for Mr. S?”   Reference material: Copy of an instruction sheet given to Mr. N by Mr. S (2014), photocopy on paper, 21 x 29.7 cm. From the Artificial IntelligenceView More >

Inosuke Hazama traveled to Europe four times and studied under Matisse, was an assistant professor at the Tokyo School of Fine Arts, and served as president of the Japan Art Association. However, in the later half of his life he devoted himself to making Ko-Kutani ware in Ishikawa Prefecture. Sawaragi visited the Inosuke Hazama Art Museum to look into this change and Inosuke’s enduring pursuit of modern painting.

Jeff Koons’s Rabbit – Selling Air   Scene from the Christie’s New York Post-War and Contemporary Art auction held on May 15, 2019. © Christie’s Images Limited 2019.   This time – the first time in quite a while –View More >