Archives: Intaviews(en)

NOUGHT BUT THE LEG By Andrew Maerkle   Dry Clay Figure (2014), painted bronze, wood, 101.3 x 42 x 45.1 cm, installation view at Gallery Koyanagi, 2015. Photo Keizo Kioku, © Mark Manders, courtesy Zeno X Gallery, Antwerp, and GalleryView More >

BETWEEN VOID AND MASS By Natsuko Odate   Left: OFFERING – Collection #5 (2014). Right: OFFERING – Collection #27 (2014). All images: Courtesy Emiko Kasahara.   Born in Tokyo in 1963 and currently based in Kanagawa, Emiko Kasahara is bestView More >

III.   Still from It For Others (2013), 16 mm and analogue video transferred to digital video, 54 min. All Images: Courtesy Duncan Campbell and Rodeo, Istanbul/London.   ART iT: In addition to the possibilities of making a film adaptionView More >

II.   Still from Falls Burns Malone Fiddles (2003), 35 mm photographic negatives and 16 mm film transferred to digital video, 33 min. All images: Courtesy Duncan Campbell and Rodeo, Istanbul/London.   ART iT: We were just talking about yourView More >

PRECIPITATE RELATIONS By Andrew Maerkle   It for Others (2013), 16 mm film, 54 min, black-and-white and color, 16:9, with sound. Courtesy Duncan Campbell and LUX, London.   Born in Dublin in 1972 and currently based in Glasgow, Duncan CampbellView More >

MOVING IN PLACE By Andrew Maerkle   The Three Songs (2015), site-specific sound installation at the Kamogawa Delta, Kyoto. Commissioned by Parasophia: International Festival for Contemporary Culture 2015. Photo courtesy Parasophia: International Festival for Contemporary Culture 2015.   Born inView More >

VARIETIES OF DISSENT By Andrew Maerkle   “Social Botany” project (2013- ), video still from Immortality.   Born in 1957, Xu Tan first attracted international attention as member of the Big Tail Elephant group of artists active in Guangzhou inView More >

III.   Boogie Frutti (2008), tempera and gold leaf on linen canvas, 200 x 200 cm.   ART iT: You mentioned how roundness is deeply connected to the physical world of perpetual motion, friction, collision and collapse. In that sense,View More >

II.   Yielding Stone (1992), Plasticine, 35.6 x 43.2 x 43.2 cm. Courtesy Gabriel Orozco and Marian Goodman Gallery.   ART iT: We were just talking about your photographs and how the imprint of the body in life can haveView More >

INELUCTABLE MODALITY By Andrew Maerkle   La DS Cornaline (2013), installation view in “Gabriel Orozco: Inner-Cycles” at the Museum of Contemporary Art Tokyo, 2015. Photo ART iT.   One of the most significant artists to have emerged internationally since theView More >