Combination of the symposium history of the 20th anniversary of the opening

At this symposium, I focus on the practice of an artist and the researcher facing art in the current Asia-Pacific region in “the history” as Field considering the verbal explanation.
In the announcement, I take up the study of the art historiographer reviewing history of art formed against the work of artists searching historic context to intersect regionally and the modernism of the West and the practice of the organization across the framework called the nation. It may be said that these are creative trials to face each other for criticizing it in the history systematized as knowledge, and to let you express an aspect of the new memory and intellect by inspecting the dynamics inherent there from various angles.
I talk about how practice founding such intellect can update understanding for the sociocultural situation and art production in this area in the discussion following announcement.

The date and time: A Saturday, November 1, 2014 from 11:00 to 17:00 place: Tokyo Museum of Contemporary Art the second-floor lecture hall under the ground
Capacity: 200 (prior application system / first-come-first-served basis with an email, the telephone) entrance fees: Free of charge
A language: English / Japanese (there is simultaneous interpretation)

A speaker:
Patrick D Flores 
About the professor at art historiographer / Philippines University Diliman school art department (Manila) “history of art and modernity in Southeast Asia”

Risa Horikawa 
Singaporean National Gallery senior curator (Singapore) while “make the spot – Singapore National Gallery “Southeast Asia gallery” of the antagonism with connection

Rouben key Kahn
Queensland state establishment Museum Asia contemporary art curator (Brisbane) “modernity in practice – Asia Pacific Triennale transforming with accumulated intellect”

Carol in F roux
About independence curator / writer (Beijing) “inheritance of the socialist realism in revisit and warm description – China contemporary art”

Simon スーン
Through the Doctoral degree course in art historiographer / Sydney University being on the register roll (Sydney) “binding called contemporary art – photograph as the history editing of criticizing it”

An application method: By Friday, October 31, you assume a title “symposium participation hope”, and apply by an email to symposium@mot-art.jp.
Please fill in the name and furigana, the e-mail address for the (2) reply in the email text (1).
I reply in having reached application reception desk completion or the capacity.
In the case of a telephone, apply for a 03-5245-4111 (main) by from 8:30 to 18:00 except the closed day.

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