Overseas territories as cultural resource East Asia Image of Modern Ages exhibition at the Toyota Municipal Museum of Art Installation view of East Asia Image of Modern Ages, Toyota Municipal Museum of Art, 2009 Oh Mijung’s new book Abe KoboView More >
Mitamura Midori (Tokyo-based artist) ArtBlog 1. Zilvinas Kempinas Kunsthalle Wien (2008.10.31 – 2009.1.25) 2. Verner Panton Tokyo Opera City Art Gallery (2009.10.17 – 12.27) 3. Rebecca Horn: Rebellion in Silence – Dialogue between Raven and Whale Museum of Contemporary Art TokyoView More >
The Batsheva Dance Company’s FURO (2006) marked Tabaimo’s first foray into collaboration with dance. The commission came from the company’s artistic director who fell hopelessly in love with the artist’s Japanese Bathhouse. What was it that drew the world-renowned choreographerView More >
For ‘Shomei Tomatsu: Hues and Textures of Nagasaki’ Part 2: 11:02 Nagasaki If “Japan as it really exists” is absent, where is the reality, the “decisive moment,” of post-war “Japan”? In 1961, 16 years after the moment the atomic bombView More >
Ukawa Naohiro (CREAM competition juror) Hachiya Kazuhiko (Participating artist) Sumitomo Fumihiko (Director of the Festival) Anyone can create their own video and watch all manner of video in this ‘media art paradise’ of recent years, a paradise in which suchView More >
Text in Japanese only.
A conversation between Ozaki Tetsuya and Hasegawa Yuko (part 2) Text in Japanese.
On the ‘budget screening’ of the cultural administration The ‘budget screening’ of allocations in the fiscal 2010 budget carried out by the Government Revitalization Unit is being talked about a lot. As indicated by the revival of the so-called supercomputerView More >
A conversation between Ozaki Tetsuya and Hasegawa Yuko (part 1) Text in Japanese only. Ozaki Tetsuya and Hasegawa Yuko Olafur Eliasson Quadruple Suncooker Lamp 2006 Private collection, Courtesy Gallery Koyanagi Photo Kioku Keizo Hussein Chalayan LED Dress 2007 Hussein Chalayan inView More >
For ‘Shomei Tomatsu: Hues and Textures of Nagasaki’ Part 1: Historical background So long as photographs are in the final analysis pictures, irrespective of how much the photographer tries to put their own interests to one side, an aesthetic judgmentView More >
