Shape the paint, collage the shapes and make them form a painting Masahiro Sekiguchi’s ‘Plane B’ at Kodama Gallery Tokyo In Clyfford Still’s readymade, layered and collaged paintings (see my previous column), which call to mind walls upon which layersView More >
‘Chaos*Lounge 2010’ – Budding freedom/equality and their future Installation view of “Chaos*Lounge 2010 in Takahashi Collection Hibiya” On April 16, artist and art critic Yohei Kurose gave a lecture in conjunction with Takashi Murakami’s GEISAI University (at the Kakai KikiView More >
Chaos*Lounge 2010 – Budding freedom/equality and their future Installation view of Chaos*Lounge 2010 in Takahashi Collection Hibiya On April 16, artist and art critic Kurose Yohei gave a lecture in conjunction with Murakami Takashi’s GEISAI University (at the Kakai KikiView More >
Text in Japanese only.
Text in Japanese only.
Text in Japanese only.
Collage, Pop Art, Clyfford Still: Teppei Kaneuji’s ‘Post-Something’ at ShugoArts White paintings, cloisonnism, coffee staining, and clippings of brushstrokes and touches of paint… or in other words painterliness; and seals, figures, driftwood, pipes, and wrapping paper… or in other wordsView More >
Observations on Contemporary Art in Japan Collage, Pop Art, Clyfford Still: Kaneuji Teppei’s Post-Something at Shugo Arts White paintings, cloisonnism, coffee staining, and clippings of brushstrokes and touches of paint… or in other words painterliness; and seals, figures, driftwood, pipes,View More >
Ernest Fenollosa – the unacknowledged source of simulationism? To those interested in the history of Japanese modern art, the name Ernest Fenollosa will be especially familiar. In particular, together with his assistant Okakura Tenshin, he dedicated himself to reviving andView More >
Text in Japanese only.