CRITERIUM 96: Hanako Murakami
13 JUL – 6 OCT 2019
Gallery 9, Contemporary Art Gallery, Art Tower Mito, Ibaraki
Curator: Oko Goto (Curator, Contemporary Art Gallery, Art Tower Mito)
CRITERIUM 96: Hanako Murakami
13 JUL – 6 OCT 2019
Gallery 9, Contemporary Art Gallery, Art Tower Mito, Ibaraki
Curator: Oko Goto (Curator, Contemporary Art Gallery, Art Tower Mito)
Okayama Art Summit 2019: IF THE SNAKE
27 SEP – 24 NOV 2019
Artistic Director: Pierre Huyghe
Okayama Art Summit 2019: IF THE SNAKE
27 SEP – 24 NOV 2019
Shinro Ohtake: BLDG. 1978-2019
13 JUL – 6 OCT 2019
Contemporary Art Gallery, Art Tower Mito, Ibaraki
Curator: Yu Iseki (Curator, Contemporary Art Gallery, Art Tower Mito)
Wang Bing
7 SEP – 19 OCT 2019
Take Ninagawa, Tokyo
ART PROJECT KOBE 2019: TRANS-
14 SEP – 10 NOV 2019
http://trans-kobe.jp/
Music is not immaterial, but it is molecularized based on territory, as with bird calls. It makes boundaries and is in turn made by the boundaries, which I see as a kind of self-collapse. This point of self-collapse is what interests me: where one needs the other but cannot be differentiated from the other at the same time.
“We really, really, really hope that they will reopen. I was telling Meiro that for the first time in my career, over my many experiences of censorship, I feel there is a chance for the situation to be solved, and that maybe the Aichi Triennale could be a symbol to the world for how to deal with this kind of situation successfully.”
Miriam Cahn: angst vor zu schön
27 JUL – 14 SEP 2019
Wako Works of Art, Tokyo
Aichi Triennale 2019: Taming Y/Our Passion
1 AUG – 14 OCT 2019
Shikemichi and Endoji
Aichi Triennale 2019: Taming Y/Our Passion
1 AUG – 14 OCT 2019
Nagoya City Art Museum
We, the undersigned artists and cultural workers, feel compelled to speak out against the closure of “After ‘Freedom of Expression?’” at Aichi Triennale 2019 from the perspective of gender equality—one of the stated principles of the Triennale’s organization. One of the primary targets of the harassment and threats of violence received by the Triennale was the sculpture Statue of Peace by Korean artists Kim Seo-kyung and Kim Eun-sung, a work inspired by the voices and experiences of the women who suffered under the “comfort woman” system of forced prostitution, sexual slavery, and human trafficking exploited by the Imperial Japanese Army and Navy in military campaigns in the Asia-Pacific from the 1930s onwards.