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Critical Fieldwork 22

Video and rhythm: Akira Miyanaga’s arc (2011) and scales (2011) (Part 1) Generally speaking, the video art one sees these days in art exhibitions projected onto single or multiple screens in dark, partitioned rooms can be classified into three groups.View More >

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Naoya Hatakeyama

Lines, Models and Other Illusions By Aveek Sen   Installation view of TWENTY-FOUR BLASTS 2011 (2011). Courtesy Tokyo Metropolitan Museum of Photography. Architects continue to think and work towards the completion of architecture. But every step closer to completion takesView More >

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Critical Fieldwork 21

Collage and Photography: Naruki Oshima’s New Series ‘haptic green’ (Part 2)   Risaku Suzuki Mont Sainte Victoire NZP-10 (2001), type C print, 40.7 x 50.8 cm. Courtesy Gallery Koyanagi.   Naruki Oshima’s “haptic green” is a series of collages eachView More >

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How Physical

The 4th Yebisu International Festival for Art & Alternative Visions ‘How Physical’ February 10-26, 2012 Tokyo Metropolitan Museum of Photography   Carolien Teunisse and Bram Snijders [Sitd] – RE: (2010), 360°projection mapping installation. All images: Photo ART iT.   ForView More >

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