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Critical Fieldwork 22

Video and rhythm: Akira Miyanaga’s arc (2011) and scales (2011) (Part 1) Generally speaking, the video art one sees these days in art exhibitions projected onto single or multiple screens in dark, partitioned rooms can be classified into three groups.View More >

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Naoya Hatakeyama

Lines, Models and Other Illusions By Aveek Sen Installation view of TWENTY-FOUR BLASTS 2011 (2011). Courtesy Tokyo Metropolitan Museum of Photography. Architects continue to think and work towards the completion of architecture. But every step closer to completion takes somethingView More >

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Critical Fieldwork 21

Collage and Photography: Naruki Oshima’s New Series ‘haptic green’ (Part 2) Risaku Suzuki Mont Sainte Victoire NZP-10 (2001), type C print, 40.7 x 50.8 cm. Courtesy Gallery Koyanagi. Naruki Oshima’s “haptic green” is a series of collages each made byView More >

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How Physical

The 4th Yebisu International Festival for Art & Alternative Visions ‘How Physical’ February 10-26, 2012 Tokyo Metropolitan Museum of Photography Carolien Teunisse and Bram Snijders [Sitd] – RE: (2010), 360°projection mapping installation. All images: Photo ART iT. For those whoView More >

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Simon Fujiwara

The Legacy of Objects By Andrew Maerkle Installation view of Welcome to the Hotel Munber (2010) at the 3rd Singapore Biennale, 2011, mixed media, dimensions variable. All images: Unless otherwise noted, courtesy Neue Alte Brücke, Frankfurt, and TARO NASU, Tokyo.View More >

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Dayanita Singh: Part II

II. Antonino’s Bundle Dayanita Singh on photo editing, form and dissemination. From the series “Dream Villa” (2010). All images: © and courtesy Dayanita Singh. ART iT: We were just discussing photography in terms of breakdown, and how your images changeView More >

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