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Naoya Hatakeyama

Lines, Models and Other Illusions By Aveek Sen Installation view of TWENTY-FOUR BLASTS 2011 (2011). Courtesy Tokyo Metropolitan Museum of Photography. Architects continue to think and work towards the completion of architecture. But every step closer to completion takes somethingView More >

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Critical Fieldwork 21

Collage and Photography: Naruki Oshima’s New Series ‘haptic green’ (Part 2) Risaku Suzuki Mont Sainte Victoire NZP-10 (2001), type C print, 40.7 x 50.8 cm. Courtesy Gallery Koyanagi. Naruki Oshima’s “haptic green” is a series of collages each made byView More >

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How Physical

The 4th Yebisu International Festival for Art & Alternative Visions ‘How Physical’ February 10-26, 2012 Tokyo Metropolitan Museum of Photography Carolien Teunisse and Bram Snijders [Sitd] – RE: (2010), 360°projection mapping installation. All images: Photo ART iT. For those whoView More >

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Simon Fujiwara

The Legacy of Objects By Andrew Maerkle Installation view of Welcome to the Hotel Munber (2010) at the 3rd Singapore Biennale, 2011, mixed media, dimensions variable. All images: Unless otherwise noted, courtesy Neue Alte Brücke, Frankfurt, and TARO NASU, Tokyo.View More >

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Dayanita Singh: Part II

II. Antonino’s Bundle Dayanita Singh on photo editing, form and dissemination. From the series “Dream Villa” (2010). All images: © and courtesy Dayanita Singh. ART iT: We were just discussing photography in terms of breakdown, and how your images changeView More >

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Tomoko Yoneda: Part II

II. Frames of Consciousness Tomoko Yoneda on the photography of paradigm shifts. Lovers, Dunaujvaros (formerly Stalin City), Hungary (2004), C-type print, 66 x 84 cm. All images: © Tomoko Yoneda, courtesy ShugoArts, Tokyo. ART iT: We were just discussing howView More >

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Yasuhiro Ishimoto (1921-2012)

One of the leading representatives of post-war photography in Japan, Yasuhiro Ishimoto passed away Feb 6 at a hospital in Tokyo. He was 90-years-old. Born in San Francisco in 1921, Ishimoto lived in Japan from the age of three beforeView More >

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